Screwball hesitates to show all its cards at once. Walking into Verge Gallery you’ll think it a small show, comprising of two works on paper and a few screens of video. The gallery’s façade, usually transparent glass, is plastered in what look like old 1980s porn magazine covers (in fact, they are covers for the exhibition catalogue designed by Ella Sutherland), that obscure and protect the exhibition within. A timber bench—the kind you’d see in a locker room—is positioned opposite the show’s main screen, to entice you to sit down and get to know the show. Screwball may take its time but will, in turn, reward you with the pleasures of edging.