Back in the trauma-bonding year of 2020, a promotional image for the long-postponed Meatus fell into my inbox. Pictured in a cropped photograph was the profile of writer and performance artist Brian Fuata—his ear adorned with a thick, silver earring dangling out of the frame. I assumed it was performance documentation but now realise, two years on at the finally launched exhibition at ACCA, the promotional image actually documents an earring by Debris Facility, one of six contributors to Meatus. The curly appendage was an apt incursion into the exhibition’s marketing as it turns out to be in the exhibition itself, where Facility’s silver worm-like symbols are discreetly hung outside ACCA’s many vermiculated passageways, including pink glittery iterations stuck to its bathroom mirrors.