Janet Burchill and Jennifer McCamley: Temptation to Co-Exist
Heide Museum of Modern Art, Melbourne
6 April – 14 July 2019
By Francis Plagne
It is a somewhat disconcerting experience setting out to review an exhibition when one has the distinct feeling that whatever might be said about it has already occurred to the artists and is already, in some sense, factored into the work itself. This is precisely the feeling one has moving through this well-curated retrospective of the work of Janet...
Comedy and Chaos
Octopus 19: Ventriloquy
31 May – 20 July 2019, curated by Joel Stern
By Audrey Schmidt
The 19th edition of Gertrude Contemporary's Octopus series, curated by
Joel Stern, centres on the generative theme of ventriloquy. The comic,
the sinister, the vaudevillian, the carnivalesque, the macabre, the
puppet master, the pathological, the perverse all strike me as the most
It is no surprise, however, that the curatorial focus i...
Michael Stevenson, Serene Velocity in Practice: MC510/CS183
Monash University Museum of Art
22 May – 6 July 2019
By Anna Parlane
Serene Velocity in Practice: MC510/CS183, recently opened at the Monash University Museum of Art (MUMA), is the first major exhibition by the Berlin-based New Zealand artist Michael Stevenson to be held in Australia in some years. Since his survey show at Sydney's Museum of Contemporary Art in 2011, Stevenson has generated a new body of work that demands a shi...
Isabel Davies: Recent Geometric Constructions
Stephen McLaughlan Gallery, Level 8, Room 16, Nicholas Building
1 — 18 May 2019
By Victoria Perin
The 90-year-old Melbourne artist Isabel Davies is meticulous; you can
tell from her website. On the internet, Davies has self-curated images
of her work into a mighty retrospective exhibition. In her 'about the
artist' section, she features organised binders of archival
documents—neat, plastic-sleeved press clippings—as well as candid
Taryn Simon: Contraband
Anna Schwartz Gallery
2 April – 1 June 2019
By Chelsea Hopper
In late November 2009, American artist Taryn Simon photographed objects detained or seized from airline passengers and express mail entering the U.S. from abroad. To do so, Simon spent five days, 24 hours per day at both the U.S. Customs and Border Protection Federal Inspection Site and the U.S. Postal Service International Mail Facility, both located at John F. Kennedy International Airport (JFK) in Ne...
Tracey Moffatt: Body Remembers
Thought Patterns: Selected Works from the Collection
Curated by Anthony Fitzpatrick.
Tarrawarra Museum of Art
23 March – 19 May
By Rex Butler
The shadows are the first thing you notice. They're uncanny, haunting, impossible, technological.
Take Spirit House (2017), which has the one remaining wall of an abandoned limestone building—we are tempted to call it a mission church—casting its shadow under a cumulus-cloudy sky. It's an impossible shadow bec...