Virginia Cuppaidge, The Skyspace Paintings 1977 - 1982
Nicholas Thompson Gallery
Memo Review is committed to continuing our weekly reviews where possible throughout the current period.
We encourage readers to send us details of shows that are online or installed in closed galleries for possible review.
editor@memoreview.net
The End.
| 2020 | #14 | Jane Eckett | Virginia Cuppaidge, The Skyspace Paintings 1977 - 1982 | Nicholas Thompson Gallery |
| 2020 | #13 | Rex Butler | Callum Morton, Monument #32: Helter Shelter | Alfred Deakin Place Ballarat |
| 2020 | #12 | Amelia Winata | Ari Tampubolon, Symposia: This show is dedicated to K-pop girl group, TWICE. I love you. | SEVENTH Gallery |
| 2020 | #11 | Giles Fielke | Warwick Baker, Hi-Vis Dreams | Centre for Contemporary Photography |
| 2020 | #10 | Amelia Wallin | Agatha Gothe-Snape, The Outcome is Certain | Monash University Museum of Art |
| 2020 | #09 | Audrey Schmidt | Alethea Everard, Art show | Meow2 |
| 2020 | #08 | Chelsea Hopper | Elizabeth Gower, LOCATIONS | Sutton Gallery, Sutton Projects |
| 2020 | #07 | Paris Lettau | KAWS: Companionship in the Age of Loneliness | NGV International |
| 2020 | #06 | Victoria Perin | Assembled: The Art of Robert Klippel | Tarrawarra Museum of Art |
| 2019 | #51 | Luke Smythe | Colin McCahon: Letters and Numbers | National Gallery of Victoria |
| 2019 | #50 | David Wlazlo | 110%: Wet Nurse | c3 Contemporary Art Space |
| 2019 | #49 | Helen O'Toole | Luke Sands | Guzzler |
| 2019 | #48 | David Homewood | Robert Hunter | Ian Potter Centre: NGV Australia |
| 2019 | #47 | Giles Fielke | Kate Wallace, Views to Remember / Travis McDonald, Clock Face | C3 Contemporary Art Space |
| 2019 | #46 | Audrey Schmidt | In Costume | Mejia |
| 2019 | #45 | Marnie Edmiston | Collection leads: John Scurry—small paintings | Geelong Gallery |
| 2019 | #44 | Rex Butler | Collecting Comme | National Gallery of Victoria |
| 2019 | #43 | Francis Plagne | Elizabeth Newman | Neon Parc City |
| 2019 | #42 | Amelia Winata | Preparation | Haydens |
| 2019 | #41 | Victoria Perin | Never the same river | Anna Schwartz Gallery |
| 2019 | #40 | Philip Brophy | Haroon Mirza: The Construction of an Act | Australian Centre for Contemporary Art |
| 2019 | #39 | Matthew Linde | Balenciaga: Shaping Fashion | Bendigo Art Gallery |
| 2019 | #38 | Maddee Clark | Fiona Foley: Who are these strangers and where are they going? | Ballarat International Foto Biennale |
| 2019 | #37 | Giles Fielke | Karrabing Film Collective: The Mermaids, or Aiden in Wonderland | KINGS Artist Run |
| 2019 | #36 | Aneta Trajkoski | SERIAL | McClelland Sculpture Park+Gallery |
| 2019 | #34 | Philip Brophy | ...(illegible)... | MADA Gallery |
| 2019 | #32 | Ella Cattach | On Vulnerability and Doubt | Australian Centre for Contemporary Art |
| 2019 | #31 | Helen O'Toole | George Egerton-Warburton, also known as , | Heide Museum of Modern Art |
| 2019 | #30 | Victoria Perin, Brendan Casey | I will never run out of lies nor love | Bus Projects |
| 2019 | #29 | Anna Parlane | FEM-aFFINITY | Arts Project Australia |
| 2019 | #28 | Jane Eckett | Josef Stanislaw Ostoja-Kotkowski: Solid Light | McClelland Sculpture Park+Gallery |
| 2019 | #27 | Elyssia Bugg | Prima Materia | Bundoora Homestead |
| 2019 | #26 | Amelia Winata | Angelica Mesiti: ASSEMBLY | Venice Biennale |
| 2019 | #25 | Rex Butler | Hans and Nora Heysen: Two Generations of Australian Art | Ian Potter Centre: NGV Australia |
| 2019 | #24 | Francis Plagne | Janet Burchill and Jennifer McCamley: Temptation to Co-exist | Heide Museum of Modern Art |
| 2019 | #23 | Audrey Schmidt | Octopus 19: Ventriloquy | Gertrude Contemporary |
| 2019 | #22 | Anna Parlane | Serene Velocity in Practice: MC510/CS183 | Monash University Museum of Art |
| 2019 | #21 | Sophie Knezic | Arlo Mountford: Deep Revolt | Shepparton Art Museum |
| 2019 | #21 | Philip Brophy | Christian Thompson: Baya Gardiya | Australian Centre for the Moving Image |
| 2019 | #20 | Victoria Perin | Isabel Davies: Recent Geometric Constructions | Stephen McLaughlan Gallery |
| 2019 | #19 | Chelsea Hopper | Taryn Simon: Contraband | Anna Schwartz Gallery |
| 2019 | #18 | Rex Butler | Tracey Moffatt: Body Remembers | Tarrawarra Museum of Art |
| 2019 | #17 | Stephen Palmer | Amalia Lindo: Computer Shoulders | Centre for Contemporary Photography |
| 2019 | #16 | Giles Fielke | Carve A Future, Devour Everything, Become Something | Ian Potter Centre: NGV Australia |
| 2019 | #15 | David Wlazlo | Compromise | Warrnambool Art Gallery |
| 2019 | #14 | Ella Cattach | Emma Phillips: Too Much to Dream | Reading Room |
| 2019 | #13 | Paris Lettau | The Museological Consciousness | Lyon Housemuseum Galleries, Meow |
| 2019 | #13 | The Editors | Memo Review 01. | Perimeter Books, World Food Books, Monash University Museum of Art |
| 2019 | #12 | Giles Fielke | Tudors to Windsors: British Royal Portraits | Bendigo Art Gallery |
| 2019 | #11 | Sophie Knezic | The Tennis Piece | Gertrude Contemporary |
| 2019 | #10 | Victoria Perin | Papermade / John Nixon: Screenprints, Woodblocks & Unique Relief Prints | Negative Press, Australian Galleries |
| 2019 | #09 | Francis Plagne | Visions of Paradise: Indian Court Paintings | National Gallery of Victoria |
| 2019 | #08 | Amelia Winata | Daniel von Sturmer | Anna Schwartz Gallery |
| 2019 | #07 | Audrey Schmidt | Carny | Neon Parc |
| 2019 | #06 | Rex Butler | Christian Marclay: The Clock | Australian Centre for the Moving Image |
| 2019 | #05 | Anna Parlane | Marlene Gilson | Art Gallery of Ballarat |
| 2018 | #52 | Memo Review | Thanks for reading in 2018 | |
| 2018 | #51 | Victoria Perin | Sweeney Reed and Strines Gallery | Heide Museum of Modern Art |
| 2018 | #50 | Paris Lettau | Katie West: warna (ground) | Caves |
| 2018 | #49 | Audrey Schmidt | Aesthetics, Politics and Histories: The Social Context of Art | AAANZ Conference 2018 - RMIT University |
| 2018 | #49 | The Editors | Does the art exhibition have a future? | AAANZ Conference 2018 - RMIT University |
| 2018 | #48 | Rex Butler | Mira Gojak and Takehito Koganezawa: The Garden of Forking Paths | Buxton Contemporary |
| 2018 | #47 | Jane Eckett | Clement Meadmore: The art of mid-century design | Ian Potter Museum of Art |
| 2018 | #46 | Francis Plagne | Spencer Lai: A smile forms into a grimace / Matilda Davis: Too Many Dinner Parties | Bus Projects |
| 2018 | #45 | Anna Parlane | Lili Reynaud-Dewar, TEETH, GUMS, MACHINES, FUTURE, SOCIETY / Alicia Frankovich, Exoplanets | Monash University Museum of Art |
| 2018 | #44 | Amelia Winata | Hito Steyerl: Factory of the Sun | National Gallery of Victoria |
| 2018 | #43 | David Wlazlo | Biennale of Australian Art | Art Gallery of Ballarat |
| 2018 | #42 | Giles Fielke | Anne Ferran: White Against Red | Sutton Gallery |
| 2018 | #41 | Sophie Knezic | Eavesdropping | Ian Potter Museum of Art |
| 2018 | #41 | Benison Kilby | State of the Union | Ian Potter Museum of Art |
| 2018 | #40 | Tim Alves | John Stezaker: Lost World | Centre for Contemporary Photography |
| 2018 | #39 | Paris Lettau | Brook Andrew: The Language of Skulls | Ten Cubed |
| 2018 | #38 | Jane Eckett | Design for Life: Grant and Mary Featherston | Heide Museum of Modern Art |
| 2018 | #37 | Rex Butler | Tom Roberts: Shearing the Rams | National Gallery of Victoria |
| 2018 | #36 | Victoria Perin | Baldessin / Whiteley: Parallel Visions | National Gallery of Victoria |
| 2018 | #35 | Hester Lyon | Architecture Makes Us: Cinematic Visions of Sonia Leber and David Chesworth | Centre for Contemporary Photography |
| 2018 | #34 | Francis Plagne | Robert Smithson: Time Crystals | Monash University Museum of Art |
| 2018 | #34 | Philip Brophy | Robert Smithson: Time Crystals | Monash University Museum of Art |
| 2018 | #33 | Amelia Winata | Nicholas Mangan, Termite Economies | Sutton Gallery |
| 2018 | #32 | Giles Fielke | Philadelphia Wireman | World Food Books |
| 2018 | #31 | Victoria Perin, David Wlazlo, Amelia Winata | Melbourne Art Fair & Spring 1883 | Australian Centre for Contemporary Art, Windsor Hotel |
| 2018 | #30 | Anna Parlane | A Lightness of Spirit is the Measure of Happiness | Australian Centre for Contemporary Art |
| 2018 | #29 | Giles Fielke, Amelia Winata, Tiarney Miekus | Best and Overlooked of 2018 | Recess, Ian Potter Museum of Art, Gertrude Contemporary |
| 2018 | #28 | Shelley McSpedden | Auto Body Works | Arts Project Australia |
| 2018 | #27 | Rex Butler | Colony: Australia 1770–1861 / Frontier Wars | National Gallery of Victoria |
| 2018 | #26 | Paris Lettau | Andrew Browne: Spill | Tolarno Galleries |
| 2018 | #25 | Jane Eckett | The Sculpture Park | Point Leo Estate |
| 2018 | #24 | Giles Fielke | Lucina Lane and Nigel Lendon: Teach the Kids to Strike | Neon Parc |
| 2018 | #23 | Tim Alves | I hope you get this: Raquel Ormella | Shepparton Art Museum |
| 2018 | #22 | Chelsea Hopper | Diane Arbus: American Portraits | Heide Museum of Modern Art |
| 2018 | #21 | Rex Butler | The Field Revisited | National Gallery of Victoria |
| 2018 | #20 | Anna Parlane | Hard Feelings | The Honeymoon Suite |
| 2018 | #19 | Francis Plagne | Abstraction 17: A Field of Interest, c. 1968 | Charles Nodrum Gallery |
| 2018 | #18 | Eva Birch | Kieren Seymour: Blue Blindness | Block Projects |
| 2018 | #17 | Amelia Winata | Natalie Thomas and the Women's Art Register: Finding the Field | True Estate Gallery |
| 2018 | #16 | David Wlazlo | Troy Ramaekers: Double B-Sides | Five Walls Projects |
| 2018 | #15 | Helen Hughes | Vivienne Binns: It is what it is, what it is | Sutton Gallery |
| 2018 | #14 | Kate Warren | Soda_Jerk: TERROR NULLIUS | Australian Centre for the Moving Image |
| 2018 | #13 | Paris Lettau | The Shape of Things to Come | Buxton Contemporary |
| 2018 | #12 | Victoria Perin | Unfinished Business: Perspectives on Art and Feminism | Australian Centre for Contemporary Art |
| 2018 | #11 | Giles Fielke | Samraing Chea: Universal Drawings | Reading Room |
| 2018 | #10 | Nicholas Tammens | Mutlu Çerkez: 1988-2065 | Monash University Museum of Art |
| 2018 | #09 | Tiarney Miekus | Genesis Breyer P-Orridge: Loyalty Does Not End With Death | The SUBSTATION |
| 2018 | #08 | Anna Parlane | Kirsten Lyttle: Digital Mana | Centre for Contemporary Photography |
| 2018 | #07 | Francis Plagne | Tony Clark: Chinoiserie Landscape 1987 - 2017 | Murray White Room |
| 2018 | #06 | Rex Butler | Richard Bell: Dredging up the Past | Gertrude Contemporary |
| 2018 | #05 | Amelia Winata | Kieran Butler and collaborators: Rainbow Bois and Magical Gurls | Blindside |
| 2017 | #52 | Giles Fielke | Triennial | National Gallery of Victoria |
| 2017 | #51 | Victoria Perin | Del Kathryn Barton: The Highway is a Disco | National Gallery of Victoria |
| 2017 | #50 | Julia Lomas | Angela Brennan: Forms of Life | Ian Potter Museum of Art |
| 2017 | #49 | Kate Warren | Cover Versions: Mimicry and Resistance | Shepparton Art Museum |
| 2017 | #48 | Paris Lettau | Our Knowing and Not Knowing: Helen Maudsley | Ian Potter Centre: NGV Australia |
| 2017 | #47 | Francis Plagne | Douglas Lance Gibson: What Was Once Yesterday Today & Tomorrow | Tolarno Galleries |
| 2017 | #46 | Chelsea Hopper | Jenny Watson: The Fabric of Fantasy | Heide Museum of Modern Art |
| 2017 | #45 | Ian McLean | Wayne Eager New Paintings | Eastgate Gallery |
| 2017 | #44 | Anna Parlane | Jason Phu: My Parents Met at the Fish Market | Westspace |
| 2017 | #43 | Rex Butler | Gareth Sansom: Transformer | The Ian Potter Centre | NGV Australia |
| 2017 | #42 | David Wlazlo | Joseph Kosuth: A Short History of My Thought | Anna Schwartz Gallery |
| 2017 | #41 | Amelia Winata | Darren Sylvester: Céline | Bus Projects |
| 2017 | #40 | Helen Hughes | Brent Harris: the small sword | Tolarno Galleries |
| 2017 | #39 | Kate Warren | The Score | Ian Potter Museum of Art |
| 2017 | #38 | Paris Lettau | Isadora Vaughan: Recalcitrant Bodies | The Honeymoon Suite |
| 2017 | #37 | Francis Plagne | Smallness: Trevelyan Clay & Kate Smith | Neon Parc, Sutton Gallery |
| 2017 | #36 | Audrey Schmidt | People Soup | Suicidal Oil Piglet |
| 2017 | #35 | Anna Parlane | Forever Transformed | Gertrude Contemporary |
| 2017 | #34 | Jane Eckett | Sidney Nolan and Elwyn Lynn: A Joint Centenary | Charles Nodrum Gallery |
| 2017 | #33 | David Wlazlo | Future Eaters | Monash University Museum of Art |
| 2017 | #32 | Beth Kearney | Fictitious Realities | Bayside Arts and Cultural Centre |
| 2017 | #31 | Rex Butler | Brave New World: Australia 1930s / Call of the Avant-Garde: Constructivism and Australian Art | Heide Museum of Modern Art, Ian Potter Centre: NGV Australia |
| 2017 | #30 | Victoria Perin | Discovering Dobell / Dobell’s Circle | Tarrawarra Museum of Art |
| 2017 | #29 | Amelia Winata | Spencer Lai: Contaminant, Figures | Fort Delta |
| 2017 | #28 | Helen Hughes | Liam Osborne: Hot Copy | Punk Café |
| 2017 | #27 | Kylie King | Dale Frank | Neon Parc |
| 2017 | #26 | Francis Plagne | Every Brilliant Eye | National Gallery of Victoria |
| 2017 | #25 | Rex Butler | I can see Russia from here | TCB art inc. |
| 2017 | #24 | Kate Warren | Andrea Grützner: Tanztee and Erbgericht | Centre for Contemporary Photography |
| 2017 | #23 | Giles Fielke | On Campus | Monash University |
| 2017 | #22 | David Wlazlo | Restless | Margaret Lawrence Gallery |
| 2017 | #21 | Anna Parlane | Sky Country: Our Connection to the Cosmos | Blak Dot Gallery |
| 2017 | #20 | Amelia Winata | Unproductive Thinking | Deakin University Art Gallery |
| 2017 | #19 | Anthony White | Van Gogh and the Seasons | National Gallery of Victoria |
| 2017 | #18 | Victoria Perin | Harold Freedman: Artist for the People | Art Gallery of Ballarat |
| 2017 | #17 | Paris Lettau | Raafat Ishak & Damiano Bertoli: Hebdomeros | Sutton Gallery |
| 2017 | #16 | Beth Kearney | Bill Henson | National Gallery of Victoria |
| 2017 | #15 | Helen Hughes | James Tylor: un-resettling | Vivien Anderson Gallery |
| 2017 | #14 | Rex Butler | Louise Hearman | Tarrawarra Museum of Art |
| 2017 | #13 | Julia Lomas | Sally Smart: The Choreography of Cutting | Sarah Scout Presents |
| 2017 | #12 | Giles Fielke | Open Spatial Workshop: Converging in Time | Monash University Museum of Art |
| 2017 | #11 | Kate Warren | Daniel Crooks: Parabolic / Miyanaga Akira: REALTIME | Anna Schwartz Gallery, National Gallery of Victoria |
| 2017 | #10 | Francis Plagne | David Hockney: Current | National Gallery of Victoria |
| 2017 | #09 | David Wlazlo | Project 17: Radical Immanence | Anna Pappas Gallery |
| 2017 | #08 | Anna Parlane | Stuart Ringholt: Works on Paper | Neon Parc |
| 2017 | #07 | Victoria Perin | Don't be too Polite: Posters and Activism | Ian Potter Museum of Art |
| 2017 | #06 | Amelia Winata | O’Keeffe, Preston, Cossington-Smith: Making Modernism | Heide Museum of Modern Art |
| 2017 | #05 | Paris Lettau | Sovereignty | Australian Centre for Contemporary Art |
| 2017 | #04 | Beth Kearney | Ramesh Nithiyendran: In the beginning | Ian Potter Museum of Art |
| 2017 | #03 | Giles Fielke | Lucina Lane: Range | White Cuberd |
| 2017 | #02 | Helen Hughes | The Sculpture of Bronwyn Oliver | Tarrawarra Museum of Art |
| 2017 | #01 | Rex Butler | Suzanne Archer: Moving Forwards, Looking Back: A Survey 1969–2016 | Nicholas Thompson Gallery |