Samraing Chea, Untitled (March 29th 2017), 2017, pencil on paper, 29.5 × 40.5 cm, courtesy the artist and Arts Project Australia. Photo: Andrew Curtis.
Samraing Chea, Universal Drawings, proposed by Rob McHaffie and Matlok Griffiths at Reading Room, 3 March—24 March 2018
Universal Drawings is an appropriate title for the exhibition of 41 works by the artist Samraing Chea currently on show at Olivia Radonich’s new city central gallery, Reading Room. A thoroughgoing millenial subject ..
Mutlu Çerkez, Untitled: 18 April 2013 2002, oil on canvas, Art Gallery of New South Wales, Contemporary Collection Benefactors 2003.
Mutlu Çerkez: 1988–2065, at Monash University Museum of Art, Caulfield, 10 February - 14 April 2018
The exhibition Mutlu Çerkez: 1988 – 2065 and its accompanying monograph form a long awaited eulogy to an artist whose influence has remained largely unacknowledged since his unforeseen passing in 2005. It would not be conceited to say that the format of th...
Genesis Breyer P-Orridge, Speak No Evil, 2004, C-print face-mounted with UV Plexi, artist frame 61 x 183cm. Photograph by Adam Stone.
Loyalty Does Not End With Death: Genesis Breyer P-Orridge at The SUBSTATION, 1 Market St, Newport VIC 3015, 2 February–10 March 2018
Over the last five decades English artist, musician and poet Genesis Breyer P-Orridge has become the kind of person that others seek out. For some it might have been during the early 1970s when P-Orridge, and h/er involvement wi...
Kirsten Lyttle, Gundulu/Emu Kākahu huruhuru, (Detail) (2018), Macramé cord (Cotton), Cotton twine, Digital prints on Fuji lustre paper. Dimensions variable 143cm (width) x 118cm (height) approx. Image Credit: Jack Loel.
Kirsten Lyttle, Digital Mana, Centre for Contemporary Photography, 2 February – 11 March 2018.
Kirsten Lyttle (Waikato, Ngāti Tāhinga, Tainui a Whiro) is a New Zealand-born, Australia-based artist who has built a practice on the intersection of photography and weaving:...