What I Think I Hear Is Violence and I Want More
I have begun to desire noise. Noise that prompts. Maybe wounds. I want to remember something that feels tangible, and if I have no memory of how this feels I want to create one.
Exclusive to the Magazine
What I Think I Hear Is Violence and I Want More by Declan Fry is featured in full in Issue 2 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related
Before pop, before Warhol, before Hamilton—there was Donald Duck. In a wartime outpost in Papua, Charles Bush painted an eerily prescient vision of mass media’s encroachment. A symptom, not an agent, of pop’s first age, Bush’s work sits uneasily in art history’s timeline.
A prolific hyperproduction and sense of take-over lifted the Brio’s head out of the fray.
Helen Johnson’s The Birth of an Institution (2022) is a visceral vision of colonial power—an exposed white woman gives birth, not to a child but to the dome of the State Library of Victoria. Encircled by cold-eyed onlookers, she embodies both subjugation and complicity, raising urgent questions about the institutions we inherit.