What I Think I Hear Is Violence and I Want More

I have begun to desire noise. Noise that prompts. Maybe wounds. I want to remember something that feels tangible, and if I have no memory of how this feels I want to create one.

Sound

By Declan Fry

Issue 2, Spring/Summer 2024/25

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What I Think I Hear Is Violence and I Want More by Declan Fry is featured in full in Issue 2 of Memo magazine.

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Issue 2 (Spring/Summer 2024/25), Tennant Creek Brio Focus

Technical Knockout

by Tristen Harwood

Boxer, scrapper, parry—Archie Moore’s work moves through the tropes assigned to him, resisting, reworking, refusing.

Captivating Yarn: Elizabeth Day’s Parramatta Female Factory Wall (2024)

by David Macarthur

Elizabeth Day resurrects Parramatta Female Factory’s vanished solitary wing at Wollongong Art Gallery, knotting trauma, carceral memory, and the unfinished business of colonial reckoning.

Liang Luscombe: Co-Presence

by Amy Stuart

Liang Luscombe’s artful syntax of pastiche and puppetry interrogates the objectification of Asian femininity, collapsing Cartesian boundaries between human, artefact, and cinematic stereotype.

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What I Think I Hear Is Violence and I Want More

Exclusive to the Magazine

Related

Liang Luscombe’s artful syntax of pastiche and puppetry interrogates the objectification of Asian femininity, collapsing Cartesian boundaries between human, artefact, and cinematic stereotype.

What I Think I Hear Is Violence and I Want More

Exclusive to the Magazine

Related

Liang Luscombe’s artful syntax of pastiche and puppetry interrogates the objectification of Asian femininity, collapsing Cartesian boundaries between human, artefact, and cinematic stereotype.