Ngana

Boxer, scrapper, parry—Archie Moore’s work moves through the tropes assigned to him, resisting, reworking, refusing.

Anna Higgins’s work operates within a cinematic, layered logic of montage—an intricate interplay of history, memory, and materiality.

A theme of institutionalism emerges in this second issue of Memo, its shadow seeming to lurk throughout the pages.