Anna Higgins: Total Montage
Anna Higgins’s work operates within a cinematic, layered logic of montage—an intricate interplay of history, memory, and materiality.
By Giles Fielke
Issue 1, Summer 2023/24
“I just want to be like Scott Walker,” Anna Higgins tells me. Later, she quotes from a profile of the musician to clarify what she means: “like Andy Williams reinventing himself as Stockhausen.” This description, offered by Simon Hattenstone, encapsulates Walker’s career trajectory — from a member of the sixties pop group The Walker Brothers, to reclusive solo artist and experimentalist prior to his death in 2019.
Exclusive to the Magazine
Anna Higgins: Total Montage by Giles Fielke is featured in full in Issue 1 of Memo magazine.
Get your hands on the print edition through our online shop or save up to 20% and get free domestic shipping with a subscription.
Related
Isa Genzken’s 75/75 retrospective at Berlin’s Neue Nationalgalerie lands her sculptures in a glass-walled “lobby,” a space between utopian modernism and corporate sterility. From her precise Ellipsoids to chaotic assemblages, the show clarifies her art’s ongoing friction with architecture, history, and sculptural convention.