One of the things I enjoy most about going to an orchestral performance are the moments when the musicians onstage complete their final warm-ups, exercises and tunings. Being not yet focused into a single force, the performers’ last-minute preparations are individual and not precisely coordinated or harmonised. Nonetheless, they blend and complement each other, creating a mix of the individual and the ensemble. Walking into The Score at the Ian Potter Museum of Art gave me a similar impression. Strains of melodies, sounds and various aural devices confront the visitor as soon as they enter, and while it’s immediately clear that these sonic strains emanate from distinct artworks and spaces, in their overlapping and entangling they create an impressive exhibition that is more than the sum of its parts.