When the scaffolding of Sean Godsell's Design Hub was removed earlier this year, I felt a distinct sense of disorientation. As a familiar building, my relationship to it felt suddenly and unfairly disrupted by the rectification of its original form. I'd become comfortable in the scaffolding, gesturing out onto the footpath: a rare occurrence for a Godsell building, often defined by a distinct 'interiorness.' The scaffolding, through literal and administrative expansion, was more than a mere necessity of construction. It cultivated its own discourse: how buildings merge (or otherwise) into Melbourne's existing cityscape; how citizens manipulate territorial boundaries; and above all, where architects' authorship ends and public authorship begins.