Sally Smart's exhibition at Sarah Scout Gallery presents work from the artist's major ongoing project The Choreography of Cutting (2014–), alongside pieces that continue her 2012 series The Pedagogical Puppet. The synthesis of these two research projects combines to form the exhibition's enquiry into the intersection of dance, movement and pedagogy. The assemblage and collage works on show investigate cutting and pastiche as formal expressions of Smart's layered and synergetic approach to dance and pedagogy as both spatialised and dynamic practices.