As you enter Primavera 2022, you may catch a work by the Wiradjuri poet and artist, Jazz Money. It’s a short sound piece that emanates from a speaker lodged in the ceiling near the entrance to the gallery. In it, Money recites a short poem that addresses the site of the exhibition, the meeting place of two bodies of water: Warang, the saltwater bay on whose shore the Museum of Contemporary Art stands, and the Tank Stream, the freshwater tributary that runs in a concrete pipe beneath the museum’s floors. It’s a typically spare and beautiful piece.