Despite its rather grand title, Overlapping Magisteria at the Australian Centre for Contemporary Art (ACCA) isn’t strictly about scientific taxonomies, whether or not these are understood to be overlapping. It is, however, a tight selection of works that articulates multiple ways of knowing and acknowledges experiences structured by the inchoate and bodily. The twin entrances to ACCA’s galleries are stoppered up with artworks that visually block sightlines into the exhibition and immediately confront viewers with a material presence around which to navigate. After a long, dark, socially-distant winter of gruelling back-to-back Zoom meetings, it is an unmitigated joy to not only be physically present in an art gallery again but also to be drinking in a show as tactile and material-centric as this one.