
In 2018, Izabela Pluta went diving off the coast of the Japanese island, Yonaguni, where the Pacific Ocean meets the East China Sea in a stretch of powerful currents. Since that trip, Pluta has drawn on the physical experience of deep-water diving and its disorienting effects on sight, using it to influence her approach to perspective—-both literally and conceptually. The sensation of being disoriented underpins the work currently exhibited at the UNSW galleries, under the title Nihilartikel.
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