Kirsten Lyttle (Waikato, Ngāti Tāhinga, Tainui a Whiro) is a New Zealand-born, Australia-based artist who has built a practice on the intersection of photography and weaving: two art-making traditions that initially seem to have little in common. However, Lyttle’s signature combination asserts that the distinction between customary Māori weaving practices and digital photography is not, in fact, as clear as it might seem. This is an assertion underlined by the title of her current exhibition at the Centre of Contemporary Photography, Digital Mana, which seems to propose a reformulation of the mana (authority, prestige, status) associated with the woven feather cloak (kahu huruhuru) in the digital age.