I’m sitting in my living room watching Henry Wolff’s Ourselves (2020), a 6-minute moving image work currently hosted on the Bus Projects website. Three bodies—Jamille Juhale, Jasmine Crisp and the artist—move carefully against a white background, performing a set of loosely choreographed gestures of holding and support. The work is playing on my laptop that is propped on a pile of books stacked on an IKEA stool. The Vimeo player window is expanded but it’s still not big enough because beyond the grey frame of the screen I can see out across the balcony and into my neighbour’s kitchen. My neighbour is walking around wearing a red jumper.