Jartti kari mukku ajjulunginyi / Other People’s Property (O.P.P.)

Archie Moore’s “impoverished aesthetic” transforms memory, class, and race into immersive, unsettling worlds. Rejecting the tidy self-disclosure of trauma narratives, his work lingers in ambiguity—neither confession nor critique, but something in between.

A theme of institutionalism emerges in this second issue of Memo, its shadow seeming to lurk throughout the pages.