Jartti kari mukku ajjulunginyi / Other People’s Property (O.P.P.)

Edie Duffy’s photorealism doesn’t just document—it distorts. Mining eBay’s throwaway images, she renders objects with a fixation that turns the banal into the surreal, collapsing nostalgia, obsolescence, and digital-age vertigo into a vision both unsettling and precise.

The Tennant Creek Brio transform mining maps, dead TVs, and frontier wreckage into new cultural claims—rejecting imposed “otherness” and forcing the settler gaze into confrontation. If their art is a shock, who’s really being unsettled?