Lili Reynaud-Dewar, TEETH, GUMS, MACHINES, FUTURE, SOCIETY
Alicia Frankovich, Exoplanets
Monash University Art Museum
6 October – 15 December 2018
By Anna Parlane
The paired exhibitions currently on show at the Monash University Museum of Art (MUMA) are linked by the figure of the prosthetically enhanced, composite or permeable body. Alicia Frankovich's Exoplanets, 2018, and Lili Reynaud-Dewar's Teeth Gums Machines Future Society, 2016-18, both explore territory that can be desc...
Mutlu Çerkez: 1988–2065
Monash University Museum of Art, 10 February - 14 April 2018
By Nicholas Tammens
The exhibition Mutlu Çerkez: 1988 – 2065 and its accompanying monograph form a long awaited eulogy to an artist whose influence has remained largely unacknowledged since his unforeseen passing in 2005. It would not be conceited to say that the format of the exhibition was fated by the artist, but there is a general feeling that it comes as a late arrival. As Justin Clemens once poin...
Monash University Museum of Art, 22 July – 23 September 2017
By David Wlazlo
Asking the viewer to consider sculptural responses to our technological present, Future Eaters presents a series of works that are diverse, divergent, and in many ways reductive of the ways technology is involved in our lives. Technology here—like sculpture—is equated with hardware. Of course this is a ‘common sense’ understanding of the technological, but as a premise for a show it sits uneasily w...
Desperately Seeking Representation
Open Spatial Workshop, Converging In Time
Monash Museum of Art, 11 February – 8 April 2017
By Giles Fielke
Somewhere between geology, geography, colonisation and resource extraction is where Open Spatial Workshop (OSW) attempt to situate their highly conceptual, sculpture-based exhibition entitled Converging In Time. A huge, fossilised Kauri tree log found within a coal seam in the La Trobe Valley lies on a large, rectangular papercrete platform tha...