Helen O'Toole
George Egerton-Warburton, also known as ,

George Egerton-Warburton, also known as ,

Project Gallery, Heide Museum of Modern Art, Melbourne
Curated by Brooke Babington
29 June – 20 October 2019

By Helen O'Toole

Like the rusty machinery that squeaks and bumps and scrapes and moans in a most wonky fashion, the coherence of George Egerton-Warburton's installation at Heide Museum of Modern Art teeters on the brink of collapse. The exhibition is comprised of a discordant array of styles, media and sensibility, willingly courting bew...

Francis Plagne
Janet Burchill and Jennifer McCamley: Temptation to Co-exist

Janet Burchill and Jennifer McCamley: Temptation to Co-Exist

Heide Museum of Modern Art, Melbourne
6 April – 14 July 2019

By Francis Plagne

It is a somewhat disconcerting experience setting out to review an exhibition when one has the distinct feeling that whatever might be said about it has already occurred to the artists and is already, in some sense, factored into the work itself. This is precisely the feeling one has moving through this well-curated retrospective of the work of Janet...

Victoria Perin
Sweeney Reed and Strines Gallery

Sweeney Reed and Strines Gallery

Heide Museum of Modern Art, 7 Templestowe Rd, Bulleen, Victoria, 25 August 2018 – 24 February 2019

By Victoria Perin

PLEASE NOTE: this review contains mentions of suicide and child sex abuse.

Melbourne's favourite outta-town gallery hits peak-Heide for its summer shows. Heide's dedicated purpose, a laser-like focus on the circle around patrons John and Sunday Reed, has been disarmingly effective. The propaganda research on the couple is now unparalleled...

Jane Eckett
Design for Life: Grant and Mary Featherston

Design for Life: Grant and Mary Featherston

Heide Museum of Modern Art, 30 June – 7 October 2018

By Jane Eckett

Exhibitions of modern Australian furniture and design are enjoying a resurgence in recent years. There was the NGV's Mid-Century Modern: Australian Furniture Design in 2014, and Take a Seat: Australian Modernist Seating at the Penrith Regional Gallery in the same year, followed by a focus on overlooked émigré designers in The Moderns: European designers in Sydney, at the Mu...

Chelsea Hopper
Diane Arbus: American Portraits

Diane Arbus: American Portraits

Heide Museum of Modern Art, 21 March – 17 June 2018

By Chelsea Hopper

“You can’t take any photos”, I was told at the front desk. The request was unexpected, as restrictions of this kind for an exhibition seemed slightly dated considering how accessible and abundant images have become in our digitally soaked, super-sharing culture – not to mention how widely available many of the images seen in the exhibition are online. Was this just a cautionary move to avo...

Chelsea Hopper
Jenny Watson: The Fabric of Fantasy

Jenny Watson: The Fabric of Fantasy

Heide Museum of Modern Art, 4 November 2017 – 3 March 2018

By Chelsea Hopper

When you first start making stuff, finding your voice as an artist can be a bit of a slog. There will always be bad paintings, clumsy drawings of still lifes and failed charcoal figures from the life drawing classes you were forced to take at art school. It can be a case of trying things out and then trying them again and again. After a few years, you ultimately make the decisio...

Rex Butler
Brave New World: Australia 1930s | Call of the Avant-Garde: Constructivism and Australian Art

The Art Exhibition vs Art

Brave New World: Australia 1930s

Ian Potter Centre: NGV Australia, until 15 October 2017

Call of the Avant-Garde: Constructivism and Australian Art

Heide Museum of Modern Art, until 8 October 2017

By Rex Butler

Brave New World: Australia 1930s and Call of the Avant-Garde: Constructivism and Australian Art are both important new museum shows. They involve a serious investment of institutional resources. They demand great curatorial expertise. They make a n...

Amelia Winata
O’Keeffe, Preston, Cossington-Smith: Making Modernism

O’Keeffe, Preston, Cossington Smith: Making Modernism

Heide Museum of Modern Art, 12 October 2016 - 19 February 2017

By Amelia Winata

Two things are glaringly obvious in just the title of Heide’s Summer exhibition O’Keeffe, Preston, Cossington Smith: Making Modernism. The first, of course, is the apparent refusal of the hegemonic history of modernism: that the pivotal period in art history was shaped by a bunch of dudes. The second is that the curators have attempted to render redundant...