Philip Brophy
Christian Thompson: Baya Gardiya

Double Issue

This week Memo Review publishes two separate reviews of shows in Melbourne and regional Victoria.

Sophie Knezic considers Arlo Mountford's current show, Deep Revolt, for its visions of death and museological disaster at the Shepparton Art Museum.

Below Philip Brophy considers the idea of our moving image subjectivity in his review of Christian Thompson's VR commission at the Australian Centre of the Moving Image, Melbourne's 'other' national art institution in the wake of t...

Rex Butler
Christian Marclay: The Clock

Memento Mori Melbourne

Christian Marclay: The Clock

Australian Centre for the Moving Image 23 January – 10 March

10 am – 5 pm, open 24 hours on Thursdays

By Rex Butler

All reviewers seem to begin by telling us the circumstances in which they came to watch it: when they first came into the screening room, how long they stayed, what they were doing before they came in and what they did afterwards.

The novelist Zadie Smith—when she went to see it at the Hayward Gallery in 2011, in an es...

Kate Warren
Soda_Jerk: TERROR NULLIUS

Soda_Jerk, TERROR NULLIUS

Australian Centre for the Moving Image 20 March – 1 July 2018

By Kate Warren

TERROR NULLIUS, the “controversial” new film by artist–filmmakers Soda_Jerk (Dominique Angeloro and Dan Angeloro) opens with a slightly distorted rendition of “Advance Australia Fair”. It appropriately sets the scene for what is to come, as the film takes its viewers on a wide-ranging journey, in three acts, which emphasises the dark underside to Australian popular culture and politics....