Paris Lettau
Brook Andrew: The Language of Skulls

Brook Andrew, The Language of Skulls

Ten Cubed, 18 September – 1 December 2018

By Paris Lettau

It's quite rare to encounter the work of an artist and feel like you have to re-ask yourself such basic questions as "What is an image?" and "What does an image do?" But these are the questions that frame and are also addressed to us in Brook Andrew's current show The Langauge of Skulls.

Located in Glen Iris, Ten Cubed takes its name from the mandated logic of the gallery's collection: ten...

Paris Lettau
Andrew Browne: Spill

Andrew Browne, Spill

Tolarno Galleries 7 June – 7 July 2018

By Paris Lettau

In the final chapter of his 1931 book, An Account of French Painting, Clive Bell attempts to explain what he calls 19th century French painting's (i.e., modernism's) 'momentous lapse in taste'. Of course, he meant a lapse from the perspective of those trained in the 19th century Academy's tradition of taste, and all the standards of painting it sought to uphold. For Bell's generation, on the contrary, the late 1...

Francis Plagne
Douglas Lance Gibson: What Was Once Yesterday Today & Tomorrow

Douglas Lance Gibson, What Was Once Yesterday Today & Tomorrow

Tolarno Galleries, Level 4/104 Exhibition St, Melbourne, 16 November 2017 - 16 December 2017

By Francis Plagne

As I was about to leave Tolarno Galleries after spending some time with Douglas Lance Gibson’s What Was Once Yesterday, Today & Tomorrow, his first show with the gallery, I was stopped by two men. One, who I assume was some sort of building manager, informed me that a theft in the gallery had just been reported and...

Helen Hughes
Brent Harris: the small sword

Brent Harris, the small sword

Tolarno Galleries, 28 September – 4 November 2017

By Helen Hughes

Hallucinations between figure and ground flicker across the surface of many of Brent Harris’s compositions in his new exhibition at Tolarno Galleries, the small sword. In the studio (2017), for example, the main figure’s cartoonish outline—that most primitive of compositional devices that distinguishes an object from its background—wobbles and warps, as if filtered through the mottled lens...