Helen Hughes
Binns’ Grids and Voids:

Vivienne Binns, From David’s jumper mark II, 2007–8, acrylic on canvas, 152.5 x 183.8cm. Image: Derek Ross.

Binns' Grids and Voids: It is what it is, what it is, Vivienne Binns at Sutton Gallery, 17 March – 14 April 2018

Vivienne Binns seems to have taught—or had some sort of mentor-like relationship with—a whole bunch of artists whose work I like: Charlie Sofo, Liang Luscombe, Trevelyan Clay, Kate Smith and Geoff Newton, to name just a few. If there is amongst some or all of these artis...

Francis Plagne
Smallness: Trevelyan Clay at Neon Parc and Kate Smith at Sutton, by Francis Plagne

Kate Smith, An Impression of an impression (after Rupert Bunny) 2, 2017, texta biro acrylic and oil on linen, 35.5 x 51cm. Photo credit: Andrew Curtis.

Smallness: Trevelyan Clay ‘Moments Today’ at Neon Parc (August 31 – October 7) and Kate Smith ‘An Impression of an impression’ at Sutton Gallery ( September 8 – October 7).

I confess to being a sucker for bad painting. Not, that is, for all painting that fails in whatever way to be good, but for the particular style of offhand, deli...

Paris Lettau
'Hebdomeros', Raafat Ishak & Damiano Bertoli at Sutton Gallery, by Paris Lettau

Damiano Bertoli, The Serenity of the Poet, 2017, pencil on paper, 42 x 29.7 cm. Image courtesy the artist.

Raafat Ishak & Damiano Bertoli, Hebdomeros, Sutton Gallery, 21 April – 20 May 2017

There is an irony to Hebdomeros, and that is that the exhibition teaches us more about the Italian 'metaphysical' painter Giorgio de Chirico (1888-1978) than it does about either of its two collaborating Melbourne based artists, Raafat Ishak and Damiano Bertoli.

The modest exhibition, which accomp...