Tertulia
BLINDSIDE
The End.
| 2020 | #32 | Bianca Winataputri | Tertulia | BLINDSIDE |
| 2020 | #31 | Tara Heffernan | Anne Wallace: Strange Ways | Art Gallery of Ballarat |
| 2020 | #30 | Lisa Radford | Destiny Deacon and Virginia Fraser, Forced into Images | 2020 Peel Street Park Projection Program, City of Yarra |
| 2020 | #29 | Amelia Winata | Spring/Sprung | Caves |
| 2020 | #28 | Audrey Schmidt | Lost in the feed/translation | |
| 2020 | #27 | Vincent Le | Nicholas Mangan, Termite Economies: Neural Nodes and Root Causes | Sutton Gallery |
| 2020 | #26 | Lévi McLean, Paris Lettau | The Tennant Creek Brio | NIRIN: 22nd Biennale of Sydney |
| 2020 | #25 | Giles Fielke | Improvements and Reproductions | West Space |
| 2020 | #24 | Victoria Perin | Peter Tyndall | bLogos/HA HA |
| 2020 | #23 | Helen Hughes | Confined 11 | The Torch |
| 2020 | #22 | Hester Lyon | HTTP.PARADISE | Incinerator Gallery |
| 2020 | #21 | Rex Butler | Jane Sutherland, Obstruction, Box Hill, 1887 | Art Gallery of Ballarat |
| 2020 | #20 | Amelia Winata | John Nixon, Groups + Pairs 2016-2020 | Anna Schwartz Gallery |
| 2020 | #19 | Chelsea Hopper | Justine Varga, Tachisme | Tolarno Galleries |
| 2020 | #18 | Anna Parlane | Patrick Pound, The Museum of There, Not There | STATION |
| 2020 | #16 | Robert Schubert | Terre Thaemlitz, Love Bomb/Ai No Bakudan | The SUBSTATION |
| 2020 | #15 | Philip Brophy | Lewis Fidock and Joshua Petherick, Weevils in the Flour | Gertrude Contemporary |
| 2020 | #14 | Jane Eckett | Virginia Cuppaidge, The Skyspace Paintings 1977 - 1982 | Nicholas Thompson Gallery |
| 2020 | #13 | Rex Butler | Callum Morton, Monument #32: Helter Shelter | Alfred Deakin Place Ballarat |
| 2020 | #12 | Amelia Winata | Ari Tampubolon, Symposia: This show is dedicated to K-pop girl group, TWICE. I love you. | SEVENTH Gallery |
| 2020 | #11 | Giles Fielke | Warwick Baker, Hi-Vis Dreams | Centre for Contemporary Photography |
| 2020 | #10 | Amelia Wallin | Agatha Gothe-Snape, The Outcome is Certain | Monash University Museum of Art |
| 2020 | #09 | Audrey Schmidt | Alethea Everard, Art show | Meow2 |
| 2020 | #08 | Chelsea Hopper | Elizabeth Gower, LOCATIONS | Sutton Gallery, Sutton Projects |
| 2020 | #07 | Paris Lettau | KAWS: Companionship in the Age of Loneliness | NGV International |
| 2020 | #06 | Victoria Perin | Assembled: The Art of Robert Klippel | Tarrawarra Museum of Art |
| 2019 | #51 | Luke Smythe | Colin McCahon: Letters and Numbers | National Gallery of Victoria |
| 2019 | #50 | David Wlazlo | 110%: Wet Nurse | c3 Contemporary Art Space |
| 2019 | #49 | Helen O'Toole | Luke Sands | Guzzler |
| 2019 | #48 | David Homewood | Robert Hunter | Ian Potter Centre: NGV Australia |
| 2019 | #47 | Giles Fielke | Kate Wallace, Views to Remember / Travis McDonald, Clock Face | C3 Contemporary Art Space |
| 2019 | #46 | Audrey Schmidt | In Costume | Mejia |
| 2019 | #45 | Marnie Edmiston | Collection leads: John Scurry—small paintings | Geelong Gallery |
| 2019 | #44 | Rex Butler | Collecting Comme | National Gallery of Victoria |
| 2019 | #43 | Francis Plagne | Elizabeth Newman | Neon Parc City |
| 2019 | #42 | Amelia Winata | Preparation | Haydens |
| 2019 | #41 | Victoria Perin | Never the same river | Anna Schwartz Gallery |
| 2019 | #40 | Philip Brophy | Haroon Mirza: The Construction of an Act | Australian Centre for Contemporary Art |
| 2019 | #39 | Matthew Linde | Balenciaga: Shaping Fashion | Bendigo Art Gallery |
| 2019 | #38 | Maddee Clark | Fiona Foley: Who are these strangers and where are they going? | Ballarat International Foto Biennale |
| 2019 | #37 | Giles Fielke | Karrabing Film Collective: The Mermaids, or Aiden in Wonderland | KINGS Artist Run |
| 2019 | #36 | Aneta Trajkoski | SERIAL | McClelland Sculpture Park+Gallery |
| 2019 | #34 | Philip Brophy | ...(illegible)... | MADA Gallery |
| 2019 | #32 | Ella Cattach | On Vulnerability and Doubt | Australian Centre for Contemporary Art |
| 2019 | #31 | Helen O'Toole | George Egerton-Warburton, also known as , | Heide Museum of Modern Art |
| 2019 | #30 | Victoria Perin, Brendan Casey | I will never run out of lies nor love | Bus Projects |
| 2019 | #29 | Anna Parlane | FEM-aFFINITY | Arts Project Australia |
| 2019 | #28 | Jane Eckett | Josef Stanislaw Ostoja-Kotkowski: Solid Light | McClelland Sculpture Park+Gallery |
| 2019 | #27 | Elyssia Bugg | Prima Materia | Bundoora Homestead |
| 2019 | #26 | Amelia Winata | Angelica Mesiti: ASSEMBLY | Venice Biennale |
| 2019 | #25 | Rex Butler | Hans and Nora Heysen: Two Generations of Australian Art | Ian Potter Centre: NGV Australia |
| 2019 | #24 | Francis Plagne | Janet Burchill and Jennifer McCamley: Temptation to Co-exist | Heide Museum of Modern Art |
| 2019 | #23 | Audrey Schmidt | Octopus 19: Ventriloquy | Gertrude Contemporary |
| 2019 | #22 | Anna Parlane | Serene Velocity in Practice: MC510/CS183 | Monash University Museum of Art |
| 2019 | #21 | Sophie Knezic | Arlo Mountford: Deep Revolt | Shepparton Art Museum |
| 2019 | #21 | Philip Brophy | Christian Thompson: Baya Gardiya | Australian Centre for the Moving Image |
| 2019 | #20 | Victoria Perin | Isabel Davies: Recent Geometric Constructions | Stephen McLaughlan Gallery |
| 2019 | #19 | Chelsea Hopper | Taryn Simon: Contraband | Anna Schwartz Gallery |
| 2019 | #18 | Rex Butler | Tracey Moffatt: Body Remembers | Tarrawarra Museum of Art |
| 2019 | #17 | Stephen Palmer | Amalia Lindo: Computer Shoulders | Centre for Contemporary Photography |
| 2019 | #16 | Giles Fielke | Carve A Future, Devour Everything, Become Something | Ian Potter Centre: NGV Australia |
| 2019 | #15 | David Wlazlo | Compromise | Warrnambool Art Gallery |
| 2019 | #14 | Ella Cattach | Emma Phillips: Too Much to Dream | Reading Room |
| 2019 | #13 | Paris Lettau | The Museological Consciousness | Lyon Housemuseum Galleries, Meow |
| 2019 | #13 | The Editors | Memo Review 01. | Perimeter Books, World Food Books, Monash University Museum of Art |
| 2019 | #12 | Giles Fielke | Tudors to Windsors: British Royal Portraits | Bendigo Art Gallery |
| 2019 | #11 | Sophie Knezic | The Tennis Piece | Gertrude Contemporary |
| 2019 | #10 | Victoria Perin | Papermade / John Nixon: Screenprints, Woodblocks & Unique Relief Prints | Negative Press, Australian Galleries |
| 2019 | #09 | Francis Plagne | Visions of Paradise: Indian Court Paintings | National Gallery of Victoria |
| 2019 | #08 | Amelia Winata | Daniel von Sturmer | Anna Schwartz Gallery |
| 2019 | #07 | Audrey Schmidt | Carny | Neon Parc |
| 2019 | #06 | Rex Butler | Christian Marclay: The Clock | Australian Centre for the Moving Image |
| 2019 | #05 | Anna Parlane | Marlene Gilson | Art Gallery of Ballarat |
| 2018 | #52 | Memo Review | Thanks for reading in 2018 | |
| 2018 | #51 | Victoria Perin | Sweeney Reed and Strines Gallery | Heide Museum of Modern Art |
| 2018 | #50 | Paris Lettau | Katie West: warna (ground) | Caves |
| 2018 | #49 | Audrey Schmidt | Aesthetics, Politics and Histories: The Social Context of Art | AAANZ Conference 2018 - RMIT University |
| 2018 | #49 | The Editors | Does the art exhibition have a future? | AAANZ Conference 2018 - RMIT University |
| 2018 | #48 | Rex Butler | Mira Gojak and Takehito Koganezawa: The Garden of Forking Paths | Buxton Contemporary |
| 2018 | #47 | Jane Eckett | Clement Meadmore: The art of mid-century design | Ian Potter Museum of Art |
| 2018 | #46 | Francis Plagne | Spencer Lai: A smile forms into a grimace / Matilda Davis: Too Many Dinner Parties | Bus Projects |
| 2018 | #45 | Anna Parlane | Lili Reynaud-Dewar, TEETH, GUMS, MACHINES, FUTURE, SOCIETY / Alicia Frankovich, Exoplanets | Monash University Museum of Art |
| 2018 | #44 | Amelia Winata | Hito Steyerl: Factory of the Sun | National Gallery of Victoria |
| 2018 | #43 | David Wlazlo | Biennale of Australian Art | Art Gallery of Ballarat |
| 2018 | #42 | Giles Fielke | Anne Ferran: White Against Red | Sutton Gallery |
| 2018 | #41 | Sophie Knezic | Eavesdropping | Ian Potter Museum of Art |
| 2018 | #41 | Benison Kilby | State of the Union | Ian Potter Museum of Art |
| 2018 | #40 | Tim Alves | John Stezaker: Lost World | Centre for Contemporary Photography |
| 2018 | #39 | Paris Lettau | Brook Andrew: The Language of Skulls | Ten Cubed |
| 2018 | #38 | Jane Eckett | Design for Life: Grant and Mary Featherston | Heide Museum of Modern Art |
| 2018 | #37 | Rex Butler | Tom Roberts: Shearing the Rams | National Gallery of Victoria |
| 2018 | #36 | Victoria Perin | Baldessin / Whiteley: Parallel Visions | National Gallery of Victoria |
| 2018 | #35 | Hester Lyon | Architecture Makes Us: Cinematic Visions of Sonia Leber and David Chesworth | Centre for Contemporary Photography |
| 2018 | #34 | Francis Plagne | Robert Smithson: Time Crystals | Monash University Museum of Art |
| 2018 | #34 | Philip Brophy | Robert Smithson: Time Crystals | Monash University Museum of Art |
| 2018 | #33 | Amelia Winata | Nicholas Mangan, Termite Economies | Sutton Gallery |
| 2018 | #32 | Giles Fielke | Philadelphia Wireman | World Food Books |
| 2018 | #31 | Victoria Perin, David Wlazlo, Amelia Winata | Melbourne Art Fair & Spring 1883 | Australian Centre for Contemporary Art, Windsor Hotel |
| 2018 | #30 | Anna Parlane | A Lightness of Spirit is the Measure of Happiness | Australian Centre for Contemporary Art |
| 2018 | #29 | Giles Fielke, Amelia Winata, Tiarney Miekus | Best and Overlooked of 2018 | Recess, Ian Potter Museum of Art, Gertrude Contemporary |
| 2018 | #28 | Shelley McSpedden | Auto Body Works | Arts Project Australia |
| 2018 | #27 | Rex Butler | Colony: Australia 1770–1861 / Frontier Wars | National Gallery of Victoria |
| 2018 | #26 | Paris Lettau | Andrew Browne: Spill | Tolarno Galleries |
| 2018 | #25 | Jane Eckett | The Sculpture Park | Point Leo Estate |
| 2018 | #24 | Giles Fielke | Lucina Lane and Nigel Lendon: Teach the Kids to Strike | Neon Parc |
| 2018 | #23 | Tim Alves | I hope you get this: Raquel Ormella | Shepparton Art Museum |
| 2018 | #22 | Chelsea Hopper | Diane Arbus: American Portraits | Heide Museum of Modern Art |
| 2018 | #21 | Rex Butler | The Field Revisited | National Gallery of Victoria |
| 2018 | #20 | Anna Parlane | Hard Feelings | The Honeymoon Suite |
| 2018 | #19 | Francis Plagne | Abstraction 17: A Field of Interest, c. 1968 | Charles Nodrum Gallery |
| 2018 | #18 | Eva Birch | Kieren Seymour: Blue Blindness | Block Projects |
| 2018 | #17 | Amelia Winata | Natalie Thomas and the Women's Art Register: Finding the Field | True Estate Gallery |
| 2018 | #16 | David Wlazlo | Troy Ramaekers: Double B-Sides | Five Walls Projects |
| 2018 | #15 | Helen Hughes | Vivienne Binns: It is what it is, what it is | Sutton Gallery |
| 2018 | #14 | Kate Warren | Soda_Jerk: TERROR NULLIUS | Australian Centre for the Moving Image |
| 2018 | #13 | Paris Lettau | The Shape of Things to Come | Buxton Contemporary |
| 2018 | #12 | Victoria Perin | Unfinished Business: Perspectives on Art and Feminism | Australian Centre for Contemporary Art |
| 2018 | #11 | Giles Fielke | Samraing Chea: Universal Drawings | Reading Room |
| 2018 | #10 | Nicholas Tammens | Mutlu Çerkez: 1988-2065 | Monash University Museum of Art |
| 2018 | #09 | Tiarney Miekus | Genesis Breyer P-Orridge: Loyalty Does Not End With Death | The SUBSTATION |
| 2018 | #08 | Anna Parlane | Kirsten Lyttle: Digital Mana | Centre for Contemporary Photography |
| 2018 | #07 | Francis Plagne | Tony Clark: Chinoiserie Landscape 1987 - 2017 | Murray White Room |
| 2018 | #06 | Rex Butler | Richard Bell: Dredging up the Past | Gertrude Contemporary |
| 2018 | #05 | Amelia Winata | Kieran Butler and collaborators: Rainbow Bois and Magical Gurls | Blindside |
| 2017 | #52 | Giles Fielke | Triennial | National Gallery of Victoria |
| 2017 | #51 | Victoria Perin | Del Kathryn Barton: The Highway is a Disco | National Gallery of Victoria |
| 2017 | #50 | Julia Lomas | Angela Brennan: Forms of Life | Ian Potter Museum of Art |
| 2017 | #49 | Kate Warren | Cover Versions: Mimicry and Resistance | Shepparton Art Museum |
| 2017 | #48 | Paris Lettau | Our Knowing and Not Knowing: Helen Maudsley | Ian Potter Centre: NGV Australia |
| 2017 | #47 | Francis Plagne | Douglas Lance Gibson: What Was Once Yesterday Today & Tomorrow | Tolarno Galleries |
| 2017 | #46 | Chelsea Hopper | Jenny Watson: The Fabric of Fantasy | Heide Museum of Modern Art |
| 2017 | #45 | Ian McLean | Wayne Eager New Paintings | Eastgate Gallery |
| 2017 | #44 | Anna Parlane | Jason Phu: My Parents Met at the Fish Market | Westspace |
| 2017 | #43 | Rex Butler | Gareth Sansom: Transformer | The Ian Potter Centre | NGV Australia |
| 2017 | #42 | David Wlazlo | Joseph Kosuth: A Short History of My Thought | Anna Schwartz Gallery |
| 2017 | #41 | Amelia Winata | Darren Sylvester: Céline | Bus Projects |
| 2017 | #40 | Helen Hughes | Brent Harris: the small sword | Tolarno Galleries |
| 2017 | #39 | Kate Warren | The Score | Ian Potter Museum of Art |
| 2017 | #38 | Paris Lettau | Isadora Vaughan: Recalcitrant Bodies | The Honeymoon Suite |
| 2017 | #37 | Francis Plagne | Smallness: Trevelyan Clay & Kate Smith | Neon Parc, Sutton Gallery |
| 2017 | #36 | Audrey Schmidt | People Soup | Suicidal Oil Piglet |
| 2017 | #35 | Anna Parlane | Forever Transformed | Gertrude Contemporary |
| 2017 | #34 | Jane Eckett | Sidney Nolan and Elwyn Lynn: A Joint Centenary | Charles Nodrum Gallery |
| 2017 | #33 | David Wlazlo | Future Eaters | Monash University Museum of Art |
| 2017 | #32 | Beth Kearney | Fictitious Realities | Bayside Arts and Cultural Centre |
| 2017 | #31 | Rex Butler | Brave New World: Australia 1930s / Call of the Avant-Garde: Constructivism and Australian Art | Heide Museum of Modern Art, Ian Potter Centre: NGV Australia |
| 2017 | #30 | Victoria Perin | Discovering Dobell / Dobell’s Circle | Tarrawarra Museum of Art |
| 2017 | #29 | Amelia Winata | Spencer Lai: Contaminant, Figures | Fort Delta |
| 2017 | #28 | Helen Hughes | Liam Osborne: Hot Copy | Punk Café |
| 2017 | #27 | Kylie King | Dale Frank | Neon Parc |
| 2017 | #26 | Francis Plagne | Every Brilliant Eye | National Gallery of Victoria |
| 2017 | #25 | Rex Butler | I can see Russia from here | TCB art inc. |
| 2017 | #24 | Kate Warren | Andrea Grützner: Tanztee and Erbgericht | Centre for Contemporary Photography |
| 2017 | #23 | Giles Fielke | On Campus | Monash University |
| 2017 | #22 | David Wlazlo | Restless | Margaret Lawrence Gallery |
| 2017 | #21 | Anna Parlane | Sky Country: Our Connection to the Cosmos | Blak Dot Gallery |
| 2017 | #20 | Amelia Winata | Unproductive Thinking | Deakin University Art Gallery |
| 2017 | #19 | Anthony White | Van Gogh and the Seasons | National Gallery of Victoria |
| 2017 | #18 | Victoria Perin | Harold Freedman: Artist for the People | Art Gallery of Ballarat |
| 2017 | #17 | Paris Lettau | Raafat Ishak & Damiano Bertoli: Hebdomeros | Sutton Gallery |
| 2017 | #16 | Beth Kearney | Bill Henson | National Gallery of Victoria |
| 2017 | #15 | Helen Hughes | James Tylor: un-resettling | Vivien Anderson Gallery |
| 2017 | #14 | Rex Butler | Louise Hearman | Tarrawarra Museum of Art |
| 2017 | #13 | Julia Lomas | Sally Smart: The Choreography of Cutting | Sarah Scout Presents |
| 2017 | #12 | Giles Fielke | Open Spatial Workshop: Converging in Time | Monash University Museum of Art |
| 2017 | #11 | Kate Warren | Daniel Crooks: Parabolic / Miyanaga Akira: REALTIME | Anna Schwartz Gallery, National Gallery of Victoria |
| 2017 | #10 | Francis Plagne | David Hockney: Current | National Gallery of Victoria |
| 2017 | #09 | David Wlazlo | Project 17: Radical Immanence | Anna Pappas Gallery |
| 2017 | #08 | Anna Parlane | Stuart Ringholt: Works on Paper | Neon Parc |
| 2017 | #07 | Victoria Perin | Don't be too Polite: Posters and Activism | Ian Potter Museum of Art |
| 2017 | #06 | Amelia Winata | O’Keeffe, Preston, Cossington-Smith: Making Modernism | Heide Museum of Modern Art |
| 2017 | #05 | Paris Lettau | Sovereignty | Australian Centre for Contemporary Art |
| 2017 | #04 | Beth Kearney | Ramesh Nithiyendran: In the beginning | Ian Potter Museum of Art |
| 2017 | #03 | Giles Fielke | Lucina Lane: Range | White Cuberd |
| 2017 | #02 | Helen Hughes | The Sculpture of Bronwyn Oliver | Tarrawarra Museum of Art |
| 2017 | #01 | Rex Butler | Suzanne Archer: Moving Forwards, Looking Back: A Survey 1969–2016 | Nicholas Thompson Gallery |