Paris Lettau

Helen Maudsley, The Self: Part of it But Not Merging, 2017, oil on canvas, 52.5 x 40.0 cm © Helen Maudsley

Our Knowing and Not Knowing: Helen Maudsley at the Ian Potter Centre: National Gallery of Victoria Australia, 17 November 2017 – 12 March 2018

Curated by National Gallery of Victoria contemporary art curator Pip Wallis, Our Knowing and Not Knowing: Helen Maudsley is one of four summer solo shows on the third floor of the NGV Australia, including Louise Paramour, Mel O'Callaghan and...

Rex Butler
Gareth Withdraws: 'Gareth Sansom: Transformer' at NGV, by Rex Butler

Gareth Sansom, Sweeney Agonistes, 2005. Oil and enamel paint and collage of type C photograph on canvas. (a-c) 213.0 x 549.0 cm (overall). Queensland Art Gallery, Brisbane. The James C Sourris, AM, Collection. Gift of James C Sourris, AM, through the Queensland Art Gallery Foundation 2012. Donated through the Australian Government's Cultural Gifts Program (2012.472a-c)

Gareth Sansom: Transformer, National Gallery of Victoria, 15 September 2017-28 January 2018

The Pulitzer Prize-winning cr...

Rex Butler
The Art Exhibition vs Art: 'Brave New World: Australia 1930s' | 'Call of the Avant-Garde: Constructivism and Australian Art', by Rex Butler

Brave New World: Australia 1930s, installation view, NGV Australia, courtesy NGV.

Brave New World: Australia 1930s, Ian Potter Centre, National Gallery of Victoria, until 15 October

Call of the Avant-Garde: Constructivism and Australian Art, Heide Museum of Modern Art, until 8 October

Brave New World: Australia 1930s and Call of the Avant-Garde: Constructivism and Australian Art are both important new museum shows. They involve a serious investment of institutional resources. They d...

Francis Plagne
'Every Brilliant Eye', at NGV Australia, by Francis Plagne

Marco Fusinato, Paintings, 1996, enamel paint on steel and composition board (a-e), 220 x 281 x 10 cm (overall), National Gallery of Victoria, Margaret Stewart Endowment, 1996, © Marco Fusinato/Licensed by VISCOPY, Australia.

Walking through Every Brilliant Eye—a large survey of the NGV's holdings of Australian Art from the 1990s curated by Jane Devery and Pip Wallis—I was struck by how much it look like parts of Melbourne Now, the NGV's sprawling 2013-2014 snapshot of contemporary art p...