Tony Clark, Chinoiserie Landscape 1987 - 2017
Murray White Room, Melbournee, 16 February – 29 March 2018
By Francis Plagne
Paul Taylor’s famous ‘Popism’ manifesto of 1982 included an exhortation to Australian artists to embrace the gulf separating them from the traditional centres of Western art history, to craft an art ‘born in mediation, gestated within the camera, where things are naturally upside-down, and expressed in a carnivalesque array of copies, inversions and negatives’. The sa...