Anna Parlane
TEETH, GUMS, MACHINES, FUTURE, SOCIETY | Exoplanets

Lili Reynaud-Dewar, TEETH, GUMS, MACHINES, FUTURE, SOCIETY

Alicia Frankovich, Exoplanets

Monash University Art Museum
6 October – 15 December 2018

By Anna Parlane

The paired exhibitions currently on show at the Monash University Museum of Art (MUMA) are linked by the figure of the prosthetically enhanced, composite or permeable body. Alicia Frankovich's Exoplanets, 2018, and Lili Reynaud-Dewar's Teeth Gums Machines Future Society, 2016-18, both explore territory that can be desc...

Francis Plagne
Robert Smithson: Time Crystals

Double Issue

This week Memo Review publishes two separate reviews of Robert Smithson: Time Crystals at Monash University Museum of Art.

Below Francis Plagne considers the show as a whole, including an in-depth engagement with the curators' positioning of Smithson's practice.

Philip Brophy, whose review is available by clicking here, considers the sound that lightly floats throughout the gallery's spaces, emanating from two films: Robert Smithson's Spiral Jetty (1970) and Nancy Holt an...

Philip Brophy
Robert Smithson: Time Crystals

Double Issue

This week Memo Review publishes two separate reviews of Robert Smithson: Time Crystals at Monash University Museum of Art.

Below Philip Brophy considers the sound that lightly floats throughout the gallery's spaces, emanating from two films: Robert Smithson's Spiral Jetty (1970) and Nancy Holt and Robert Smithson's Swamp (1971).

Francis Plagne, whose review is available by clicking here, considers the exhibition as a whole, including an in-depth engagement with the cura...

Nicholas Tammens
Mutlu Çerkez: 1988-2065

Mutlu Çerkez: 1988–2065

Monash University Museum of Art, 10 February - 14 April 2018

By Nicholas Tammens

The exhibition Mutlu Çerkez: 1988 2065 and its accompanying monograph form a long awaited eulogy to an artist whose influence has remained largely unacknowledged since his unforeseen passing in 2005. It would not be conceited to say that the format of the exhibition was fated by the artist, but there is a general feeling that it comes as a late arrival. As Justin Clemens once poin...