George Egerton-Warburton, also known as ,
Project Gallery, Heide Museum of Modern Art, Melbourne
Curated by Brooke Babington
29 June – 20 October 2019
By Helen O'Toole
Like the rusty machinery that squeaks and bumps and scrapes and moans in a most wonky fashion, the coherence of George Egerton-Warburton's installation at Heide Museum of Modern Art teeters on the brink of collapse. The exhibition is comprised of a discordant array of styles, media and sensibility, willingly courting bew...
Janet Burchill and Jennifer McCamley: Temptation to Co-Exist
Heide Museum of Modern Art, Melbourne
6 April – 14 July 2019
By Francis Plagne
It is a somewhat disconcerting experience setting out to review an exhibition when one has the distinct feeling that whatever might be said about it has already occurred to the artists and is already, in some sense, factored into the work itself. This is precisely the feeling one has moving through this well-curated retrospective of the work of Janet...
Sweeney Reed and Strines Gallery
Heide Museum of Modern Art, 7 Templestowe Rd, Bulleen, Victoria, 25 August 2018 – 24 February 2019
By Victoria Perin
PLEASE NOTE: this review contains mentions of suicide and child sex
Melbourne's favourite outta-town gallery hits peak-Heide for its summer
shows. Heide's dedicated purpose, a laser-like focus on the circle
around patrons John and Sunday Reed, has been disarmingly effective. The
propaganda research on the couple is now unparalleled...
Design for Life: Grant and Mary Featherston
Heide Museum of Modern Art, 30 June – 7 October 2018
By Jane Eckett
Exhibitions of modern Australian furniture and design are enjoying a resurgence in recent years. There was the NGV's Mid-Century Modern: Australian Furniture Design in 2014, and Take a Seat: Australian Modernist Seating at the Penrith Regional Gallery in the same year, followed by a focus on overlooked émigré designers in The Moderns: European designers in Sydney, at the Mu...
Diane Arbus: American Portraits
Heide Museum of Modern Art, 21 March – 17 June 2018
By Chelsea Hopper
“You can’t take any photos”, I was told at the front desk. The request was unexpected, as restrictions of this kind for an exhibition seemed slightly dated considering how accessible and abundant images have become in our digitally soaked, super-sharing culture – not to mention how widely available many of the images seen in the exhibition are online. Was this just a cautionary move to avo...
Jenny Watson: The Fabric of Fantasy
Heide Museum of Modern Art, 4 November 2017 – 3 March 2018
By Chelsea Hopper
When you first start making stuff, finding your voice as an artist can be a bit of a slog. There will always be bad paintings, clumsy drawings of still lifes and failed charcoal figures from the life drawing classes you were forced to take at art school. It can be a case of trying things out and then trying them again and again. After a few years, you ultimately make the decisio...