Year
State
Event
Venue
Artist
Author
Review Laure Prouvost: Oui Move in You by Tara McDowell, 20 Apr 2024
Review Sunil Gupta: The New Pre-Raphaelites by Laura Castagnini, 13 Apr 2024
Review Secret Cherry by Gabrielle Chantiri, 13 Apr 2024
Review Not Natural by Diego Ramirez, 6 Apr 2024
Review MPavilion 10 by Alex Brown, 31 Mar 2024
Review Yoko Ono, I LOVE YOU EARTH (2023) by Philip Brophy, 30 Mar 2024
Review Paulina Ołowska, Principia and Her Pet (2021) by Gemma Topliss, 30 Mar 2024
Review Megacities by Ella Howells, 30 Mar 2024
Review Maurizio Cattelan, Comedian by Rex Butler, 30 Mar 2024
Review Hoda Afshar, The Fold (2023) by Paris Lettau, 30 Mar 2024
Review 2023–24 NGV Triennial Editoral by The Editors, 30 Mar 2024
Review Sonny by Giles Fielke, 23 Mar 2024
Review Jus Diddit: A Community Unfurling by Laura Luciana, 23 Mar 2024
Review the buds on the trees and the night were still by Amelia Barikin, 16 Mar 2024
Review Marmoreum by Amy May Stuart, 16 Mar 2024
Review Radical: Australian Abstract Art of the 70s and 80s by Loqui Paatsch, 9 Mar 2024
Review Jordan Wolfson: Body Sculpture by Victoria Perin, 9 Mar 2024
Review Works from the Okatsuka Collection; Ragnar Thomas, c. 1988: A Selection of Drawings by the Rosebud Group by Jarrod Zlatic, 2 Mar 2024
Review La Salle des Taureaux by Anna Parlane, 24 Feb 2024
Review Philip Guston by Cameron Hurst, 17 Feb 2024
Review Katherine Botten, Before Christ by Emily Kostos, 10 Feb 2024
Review The Sun Shining Ultravioletly One Day Upon the Protean Sea by Sheridan Palmer, 5 Feb 2024
Review Emerging From Darkness: Faith, Emotion and The Body in the Baroque by Giles Fielke, 30 Dec 2023
Review Mike Parr: Sunset Claws, Part 3: Going Home by Paris Lettau, 23 Dec 2023
Review Blaze by Scott Robinson, 16 Dec 2023
Review Our Place: 20 Years of Town Hall Gallery by Jarrod Zlatic, 9 Dec 2023
Review Salote Tawale: I remember you by June Miskell,Talia Smith, 2 Dec 2023
Review Frozen Blood by Victoria Perin, 2 Dec 2023
Review Paul Knight: L’ombre de ton ombre by Shaune Lakin, 25 Nov 2023
Review Paul Knight: L'ombre de ton ombre by Judy Annear, 25 Nov 2023
Review Minimalist Melbourne Art by Jasper Jordan-Lang, 18 Nov 2023
Review Somewhat Eternal by Yuna Lee, 11 Nov 2023
Review Lots of Art Forms in Madness by Amy May Stuart, 11 Nov 2023
Review Isadora Vaughan: Rumours of True Things by Ella Howells, 4 Nov 2023
Review The Housing Question by David Wlazlo, 28 Oct 2023
Review Primavera at Museum of Contemporary Art Australia by Mariam Arcilla by Mariam Ella Arcilla, 21 Oct 2023
Review James Nguyen: Open Glossary by Declan Fry, 21 Oct 2023
Review Michael Cook’s Invasion by Rex Butler, 14 Oct 2023
Review Pierre Bonnard: Designed by India Mahdavi by Tara Heffernan, 7 Oct 2023
Review Hoda Afshar: A Curve is a Broken Line by Nikita Holcombe, 7 Oct 2023
Review Colour Bleeds and Light Folds by Loqui Paatsch, 30 Sep 2023
Review Edwin Tanner: A Selection of Paintings and Prints from the Estate by Victoria Perin, 23 Sep 2023
Review A Puzzlement by Jennifer Yang, 23 Sep 2023
Review Ice Floes Response by Philip Brophy, 16 Sep 2023
Review Thin Skin by Douglas Maxted, 9 Sep 2023
Review The Soils Project by Hilary Thurlow, 2 Sep 2023
Review Murray Griffin: A Life and a Journey by Jarrod Zlatic, 26 Aug 2023
Review Petra Cortright, haunted lemon hunted spirit by Gemma Topliss, 19 Aug 2023
Review Spring1883 Art Fair by Giles Fielke by Giles Fielke, 13 Aug 2023
Review Spring1883 Art Fair by Amelia Winata by Amelia Winata, 13 Aug 2023
Review West of Central by Anastasia Murney, 12 Aug 2023
Review Spring1883 Art Fair by Victoria Perin by Victoria Perin, 12 Aug 2023
Review Spring1883 Art Fair by Rex Butler by Rex Butler, 12 Aug 2023
Review Spring1883 Art Fair by Paris Lettau and Audrey Schmidt by Audrey Schmidt,Paris Lettau, 12 Aug 2023
Review Walking Through the Darkness by Diego Ramírez, 5 Aug 2023
Review Goddess by Kate Meakin, 29 Jul 2023
Review Biograph by Wes Hill, 29 Jul 2023
Review Gordon Bennett “This World Is Not My Home” and Mia Boe “Suspicion is proof enough” by Eden Fiske, 22 Jul 2023
Review What Is Your Gov'ment Name | Mirror by Giles Fielke, 15 Jul 2023
Review Impossible Desire by June Miskell, 15 Jul 2023
Review In the Ruins I See the Future by Scott Mclatchie, 8 Jul 2023
Review Dancing the Music: Philippa Cullen 1950–1975 by Emily Kostos, 1 Jul 2023
Review Amber Boardman: Dude by Toyah Webb, 1 Jul 2023
Review Pre-Raphaelites: Drawings & Watercolours; In the Company of Morris by Cameron Hurst, 24 Jun 2023
Review Still Life of a Distant Memory & Fearless Simpleton by Emily Best, 23 Jun 2023
Review Catherine Opie: Binding Ties by Chelsea Hopper, 17 Jun 2023
Review TarraWarra Biennial 2023: ua usiusi faʻavaʻasavili by Luce Nguyen-Hunt, 10 Jun 2023
Review The Anti-Art of War by Rex Butler,Paris Lettau, 4 Jun 2023
Review Shelley Lasica, When I Am Not There by Bronwyn Bailey-Charteris, 3 Jun 2023
Review Octopus 23: The Field by Declan Fry, 3 Jun 2023
Review Monet & Friends by Luke Smythe, 27 May 2023
Review If I'm going to hell you're coming with me by Gabrielle Chantiri, 27 May 2023
Review Mithu Sen, mOTHERTONGUE by Art Writing and Criticism Students,Mel Deerson,Rex Butler, 23 May 2023
Review Collective Unease by Tara Heffernan,Scott Robinson, 20 May 2023
Review Andy Warhol and Photography: A Social Media by Caitlyn Lesiuk, 13 May 2023
Review Open World by Toyah Webb, 6 May 2023
Review Jonathan Walker: Capturing Details Usually Screened by Jarrod Zlatic, 6 May 2023
Review No Easy Answers, Build Your Home, What Remains, Reko Rennie OA_RR by Ella Howells, 29 Apr 2023
Review The National 4 by Anastasia Murney, 22 Apr 2023
Review Homo Sacer: Life Unlawed by Sofia Skobeleva (Sid Akhmed), 22 Apr 2023
Review Working Models, Light Weight / Light Well by Jeremy George,Camille Orel, 15 Apr 2023
Review Make A Wish! by Audrey Schmidt, 8 Apr 2023
Review Dreamhome: Stories of Art and Shelter by Neha Kale, 8 Apr 2023
Review Melbourne Now by Tristen Harwood, Calia O‘Rouke, and Indi Jennings by Tristen Harwood,Calia O’Rourke,Indi Jennings, 1 Apr 2023
Review Melbourne Now by Paris Lettau by Paris Lettau, 1 Apr 2023
Review Melbourne Now by Giles Fielke by Giles Fielke, 1 Apr 2023
Review Melbourne Now by Chelsea Hopper by Chelsea Hopper, 1 Apr 2023
Review Melbourne Now by Cameron Hurst by Cameron Hurst, 1 Apr 2023
Review Melbourne Now by Amelia Winata by Amelia Winata, 1 Apr 2023
Review Adrián Villar Rojas: The End of Imagination by Tom Melick,Heather Anderson, 1 Apr 2023
Review Rosslynd Piggott, Realm–peripheral scenes by Philip Brophy, 25 Mar 2023
Review Linger, Dash, Talk by June Miskell, 18 Mar 2023
Review Here’s what we know by George Criddle, 18 Mar 2023
Review Braving Time: Contemporary Art in Queer Australia by Jade Muratore, 18 Mar 2023
Review Data Relations by Audrey Pfister, 11 Mar 2023
Review Carpet Diem by Talia Smith, 11 Mar 2023
Review Spray Painting The Pioneer by Rex Butler, 3 Mar 2023
Review Mitchel Cumming and Kenzee Patterson: A redistribution by Nick Croggon, 25 Feb 2023
Review Centre Five: Bridging the Gap by Anna Parlane, 25 Feb 2023
Review Richard Mosse: Broken Spectre by Damien Laing, 18 Feb 2023
Review Reading Into Things by Audrey Pfister, 11 Feb 2023
Review Barbara Hepworth: In Equilibrium by Kate Butler, 11 Feb 2023
Review TIME•RONE by Giles Fielke, 4 Feb 2023
Review CUT by Philip Brophy, 24 Dec 2022
Review Tony Garifalakis, Scum Salon by Camille Orel,Jeremy George, 17 Dec 2022
Review Primavera 2022: Young Australian Artists by Nick Croggon, 10 Dec 2022
Review Evidence - a stratigraphy by Amelia Winata, 10 Dec 2022
Review Josh Krum, New Paintings by Margarita Kontev, 3 Dec 2022
Review Woke in Fright by Scott Robinson, 26 Nov 2022
Review Tom Blake: holding leaves (index.) by Naomi Riddle, 26 Nov 2022
Review Reaching inside your insides inside your insides inside your insides inside your insides inside your insides inside your insides by Tara Heffernan, 19 Nov 2022
Review Secret World, Wild City by Ella Howells, 12 Nov 2022
Review Clay Dynasty by Victoria Pham, 12 Nov 2022
Review Katherine Botten, The Freedom Show and Ella Sutherland, Speaker of the House by Cameron Hurst, 5 Nov 2022
Review The ants are in the idiom by Ursula Cornelia de Leeuw, 29 Oct 2022
Review Daniel Boyd: Treasure Island by Matt Poll, 29 Oct 2022
Review WORD MADE FLESH by Rex Butler, 22 Oct 2022
Review Light and Darkness by Neha Kale, 15 Oct 2022
Review Dwelling (Victorian Issue) by Elijah Money, 15 Oct 2022
Review Music as Image by Philip Brophy, 8 Oct 2022
Review Soul Seeker by Anastasia Murney, 1 Oct 2022
Review Light + Shade: Max Meldrum and his followers by Jarrod Zlatic, 1 Oct 2022
Review Monochrome/Piano 1992 & Articles of Blue, Black and White by Camille Orel, 24 Sep 2022
Review Ultra Unreal by June Miskell,Soo-Min Shim, 17 Sep 2022
Review Shock & Ore by Lauren Burrow,Tristen Harwood, 17 Sep 2022
Review The Venice Biennale by Hilary Thurlow, 10 Sep 2022
Review Atelier Spiteri by Elizabeth Pulie, 3 Sep 2022
Review Ara Dolatian: Mythos of the Island by Nicolas Hausdorf, 3 Sep 2022
Review Jane Burton, Kingdom of Pleasure by Ursula Cornelia de Leeuw, 27 Aug 2022
Review She Speaks in Sculpture by Amelia Wallin, 20 Aug 2022
Simon Zoric: Root, hog, or die / Lou Hubbard: 1976 by Chelsea Hopper, 20 Aug 2022
Review Take Hold of the Clouds by Cameron Hurst, 13 Aug 2022
Review Queer: Stories From the NGV Collection by Jeremy Eaton, 13 Aug 2022
Mel Light: Works from Tate's Collection by Luke Smythe, 6 Aug 2022
Review Gordon Hookey: A Murriality at UNSW Galleries by Joel Sherwood Spring, 6 Aug 2022
Review Sélection de Paresthésie Prestige by Audrey Schmidt, 30 Jul 2022
Review Agent Bodies by Tara Heffernan, 30 Jul 2022
Review Sydney Buries its Past by Tom Melick, 23 Jul 2022
Review Spowers and Syme by Victoria Perin, 23 Jul 2022
Review documenta fifteen by Paris Lettau, 16 Jul 2022
Review The Picasso Century by Anna Parlane, 9 Jul 2022
Review Screwball by Verónica Tello, 9 Jul 2022
Review Annabelle Stonehouse: Ornamental, Jane Bartier: Footfall, Same River Twice, Footscray Community Arts by David Wlazlo, 2 Jul 2022
Review Who are You: Australian Portraiture by Rex Butler, 25 Jun 2022
Review Jemi Gale: donut king (paintings about love) by Audrey Pfister, 22 Jun 2022
Review More Love by Audrey Schmidt, 18 Jun 2022
Review Sidney McMahon: Maggot by Nick Croggon, 11 Jun 2022
Review Elvis: Direct from Graceland by Giles Fielke, 11 Jun 2022
Review Phuong Ngo, Nostalgia for a Time That Never Was by Amelia Winata, 4 Jun 2022
Review Nicole Thomson, Love Exposure by Helen O'Toole, 28 May 2022
Review Cementa22 by Anastasia Murney, 28 May 2022
Review HELMUT NEWTON: In Focus by Cameron Hurst, 21 May 2022
Review Roots by June Miskell, 14 May 2022
Review Aeon Resurrection by Tara Heffernan, 14 May 2022
Review Some voices carry by Lydia Mardirian, 7 May 2022
Review Framed by Philip Brophy, 30 Apr 2022
Review Brimming by Sarinah Masukor, 30 Apr 2022
Review From Impulse to Action, Bundanon Art Museum and A Park is Not a Forest, Sydney College of the Arts Gallery by Verónica Tello, 23 Apr 2022
Review Frances Barrett: Meatus by Chelsea Hopper, 23 Apr 2022
Review Gabrielle Chanel. Fashion Manifesto by Kate Meakin, 16 Apr 2022
Review Truth, Beauty and Utility: the Arts and Crafts Movement in Heidelberg by Jarrod Zlatic, 9 Apr 2022
Review Elizabeth Pulie: #117 (Survey) by Ann Stephen, 9 Apr 2022
Review Sidney Nolan and Narjis Mirza by Rex Butler, 2 Apr 2022
Review Negotiating Borders by Soo-Min Shim, 2 Apr 2022
Review Barbara Campbell—ex avibus by Camille Orel, 26 Mar 2022
Review rīvus 23rd Biennale of Sydney by Joel Sherwood Spring, 20 Mar 2022
Review Atong Atem, Everything in Remission, and Vittoria di Stefano, The Palace at 4pm by Anna Parlane, 19 Mar 2022
Review SINCLAIR+GALLERY by Giles Fielke, 12 Mar 2022
Review Dust Blaster by Scott Robinson, 6 Mar 2022
Review Khaled Sabsabi: A Hope by Anastasia Murney, 5 Mar 2022
Review Rebecca Belmore: Turbulent Water by Tim Riley Walsh, 26 Feb 2022
Review Melbourne Art Fair: The Nicholas Building 'Up Late' by Helen Hughes, 19 Feb 2022
Review Melbourne Art Fair by Victoria Perin, 19 Feb 2022
MAF Melbourne Art Fair by Giles Fielke, 19 Feb 2022
Review Melbourne Art Fair by Paris Lettau, 19 Feb 2022
Review Izabela Pluta: Nihilartikel by Sarinah Masukor, 19 Feb 2022
Review Vivienne Binns: On and Through the Surface by Victoria Perin, 12 Feb 2022
Review Margel Hinder: Modern in Motion by Jane Eckett, 5 Feb 2022
Review Eucalyptusdom by Nick Croggon, 5 Feb 2022
Review Zac Segbedzi: Collectables, Sex is Gay (Part Deux), The Show About the Show by Cameron Hurst, 18 Dec 2021
Review WILAM BIIK by Timmah Ball, 11 Dec 2021
Review Melbourne Central Commercial Mural Paintings by Philip Brophy, 4 Dec 2021
Review David Egan, Green Seeks Little Attention by Amy May Stuart, 27 Nov 2021
Review Jeremy Deller: Father and Son by Hilary Thurlow, 20 Nov 2021
Review Nabilah Nordin, Birdbrush and Other Essentials by Matt Marasco, 13 Nov 2021
Review Traianos Pakioufakis, Exofilla by Luke Smythe, 6 Nov 2021
Review Robinson Crusoe by Rex Butler, 30 Oct 2021
Review Stuart Ringholt, Landscapes and Factories by Chelsea Hopper, 23 Oct 2021
Review MeMOdrome: O’Blivion’s Ratio by Audrey Schmidt, 16 Oct 2021
Review Damiano Bertoli 1969–2021 by Amelia Winata, 13 Oct 2021
Review Roger Kemp: A selection of etchings from the estate by Victoria Perin, 9 Oct 2021
Review Paradise Lost: Thomas Griffiths Wainewright / Herself by Léuli Eshrāghi, 7 Oct 2021
Review Fertile Ground by Miriam La Rosa, 25 Sep 2021
Review Camille Henrot: Is Today Tomorrow by Tara Heffernan, 18 Sep 2021
Review Elizabeth Newman by Cameron Hurst,Babs Rapeport, 11 Sep 2021
Review Passages of Light, Interview with Hilary Jackman and George Criddle by Anna Parlane, 4 Sep 2021
Review Victoria Todorov, The Bipolarity of Output (AUX) by Amelia Winata, 28 Aug 2021
Review Goya: Drawings from the Prado Museum by Diego Ramírez, 21 Aug 2021
Review A Biography of Daphne by Paris Lettau, 14 Aug 2021
Spring1883 by Victoria Perin, 8 Aug 2021
Review Spring1883 by The Editors, 8 Aug 2021
Review Spring1883 by Giles Fielke, 8 Aug 2021
Spring1883 by Chelsea Hopper, 8 Aug 2021
Review Spring1883 by Cameron Hurst, 8 Aug 2021
Review Spring1883 by Audrey Schmidt,Paris Lettau, 8 Aug 2021
Review Amelia Winata at Spring1883 by Amelia Winata, 8 Aug 2021
Review Refik Anadol, Quantum Memories by Philip Brophy, 31 Jul 2021
Review We get in touch with things at the point they break down // Even in the absence of spectators and audiences, dust circulates by Tara Heffernan, 24 Jul 2021
Review Disney: The Magic of Animation by Audrey Schmidt, 17 Jul 2021
Review Merlin Carpenter, Room Based by Vincent Le, 10 Jul 2021
Review Divided Subject by Sofia Skobeleva, 3 Jul 2021
Review On the path, curated by Babs Rapeport and Isabella Darcy by Cameron Hurst,Paris Lettau, 26 Jun 2021
Review Keith Haring Mural by Anna Parlane, 19 Jun 2021
Review The Changing Face of Victoria by Jarrod Zlatic, 12 Jun 2021
Review She-Oak and Sunlight: Australian Impressionism by Rex Butler,A.D.S. Donaldson, 5 Jun 2021
Review Ruth Höflich, To Feed your Oracle by Ursula Cornelia de Leeuw, 29 May 2021
Review Mary Quant: Fashion Revolutionary by Michelle Guo, 22 May 2021
Review Chris Madden: Fact Republic by Cameron Hurst, 15 May 2021
Review Dale Harding: Through a lens of visitation by Hilary Thurlow, 8 May 2021
Review Yhonnie Scarce: Missile Park by Tara McDowell, 1 May 2021
Review John Brooks and Audrey Tan, Swamp Breathing by Amelia Winata, 24 Apr 2021
Review Jab by Audrey Schmidt, 17 Apr 2021
Review Ruth Maddison, It was the best of times, it was the worst of times by Chelsea Hopper, 10 Apr 2021
Review JR and Alice Rohrwacher, Omelia Contadina and Homily to Country (2020) at NGV Triennial by Giles Fielke, 3 Apr 2021
Review Shaun Gladwell: Homo Suburbiensis by Tara Heffernan, 27 Mar 2021
Review Kieren Seymour, Autism, Bitcoin and the Four Seasons by Adelle Mills, 20 Mar 2021
Review Nicolas Ceccaldi, Camouflage Chameleon by Francis Plagne, 13 Mar 2021
Review Claire Lambe, Dart Object and Jemi Gale, drowning curse by Audrey Schmidt, 6 Mar 2021
Review Amrita Hepi, Monumental by Rex Butler, 27 Feb 2021
Review Chunxiao Qu, the title is no longer relevant by David Wlazlo, 20 Feb 2021
Review Pitcha Makin Fellas: Join the Club by Amelia Winata, 13 Feb 2021
Review Hana Earles: Victim of Late Capitalism by Vincent Le, 6 Feb 2021
Review Marcus McKenzie, The Crying Room by Chelsea Hopper, 26 Dec 2020
Review Overlapping Magisteria by Anna Parlane, 19 Dec 2020
Review Rex Veal, Summer 20/21 by Audrey Schmidt, 12 Dec 2020
Review Anne-Marie May and Erwin Fabian, Inside Out: Space and Process by Giles Fielke, 5 Dec 2020
Review Grant Stevens, Fawn in the Forest by Philip Brophy, 28 Nov 2020
Review Kaijern Koo, glistening windows theory by Amy May Stuart, 21 Nov 2020
Review @NGVbot by Victoria Perin, 14 Nov 2020
Review A Case of the Old and New / Recent Tendencies in Women’s Painting, Melbourne (I) + (II) by Rex Butler, 7 Nov 2020
Review Machine Listening, a curriculum by Benison Kilby, 31 Oct 2020
Review Bodies of Work by Cameron Hurst, 24 Oct 2020
Review Isabella Darcy: Luxury & Labour by Amelia Winata, 17 Oct 2020
Review The Waiting Room by David Wlazlo, 10 Oct 2020
Review A GOOD GRIP by Sarinah Masukor, 3 Oct 2020
Review Alex Hobba, A Gun Went Off in Human Resources / Alex Cuffe, Love is the Length of Her Hair by Chelsea Hopper, 26 Sep 2020
Review Bessie Davidson & Sally Smart – Two artists and the Parisian avant-garde by Jane Eckett, 19 Sep 2020
Review Meagan Streader: A Window is a Square Horizon by Tara Heffernan, 12 Sep 2020
Review The Sun also Sets by Luke Smythe, 5 Sep 2020
Review Christopher L G Hill: Meaningless is more by Giles Fielke, 29 Aug 2020
Review Colin McCahon: Letters and Numbers & Event Horizon Symposium by Rex Butler, 22 Aug 2020
Review π.o., Heide by Victoria Perin, 15 Aug 2020
Review Tertulia by Bianca Winataputri, 8 Aug 2020
Review Anne Wallace: Strange Ways by Tara Heffernan, 1 Aug 2020
Review Destiny Deacon and Virginia Fraser, Forced into Images by Lisa Radford, 25 Jul 2020
Review Spring/Sprung by Amelia Winata, 18 Jul 2020
Review Lost in the Feed/Translation by Audrey Schmidt, 11 Jul 2020
Review Nicholas Mangan, Termite Economies: Neural Nodes and Root Causes by Vincent Le, 4 Jul 2020
Review The Tennant Creek Brio by Lévi McLean,Paris Lettau, 27 Jun 2020
Review Improvements and Reproductions by Giles Fielke, 20 Jun 2020
Review Peter Tyndall by Victoria Perin, 13 Jun 2020
Review Confined 11 by Helen Hughes, 5 Jun 2020
Review HTTP.PARADISE by Hester Lyon, 29 May 2020
Review Jane Sutherland, Obstruction, Box Hill, 1887 by Rex Butler, 23 May 2020
Review John Nixon, Groups + Pairs 2016-2020 by Amelia Winata, 16 May 2020
Review Justine Varga, Tachisme by Chelsea Hopper, 9 May 2020
Review Patrick Pound, The Museum of there, not there by Anna Parlane, 2 May 2020
Review “Apparel” by Kate Meakin, 25 Apr 2020
Review Terre Thaemlitz, Love Bomb/Ai No Bakudan by Robert Schubert, 18 Apr 2020
Review Lewis Fidock and Joshua Petherick, Weevils in the Flour by Philip Brophy, 11 Apr 2020
Review Virginia Cuppaidge, The Skyspace Paintings 1977 - 1982 by Jane Eckett, 4 Apr 2020
Review Callum Morton, Monument #32: Helter Shelter by Rex Butler, 28 Mar 2020
Review Ari Tampubolon, Symposia: This show is dedicated to K-pop girl group, TWICE. I love you. by Amelia Winata, 21 Mar 2020
Review Warwick Baker, Hi-Vis Dreams by Giles Fielke, 14 Mar 2020
Agatha Gothe-Snape, The Outcome is Certain by Amelia Wallin, 8 Mar 2020
Review Alethea Everard, Art show by Audrey Schmidt, 29 Feb 2020
Review Elizabeth Gower, LOCATIONS by Chelsea Hopper, 22 Feb 2020
Review KAWS: Companionship in the Age of Loneliness by Paris Lettau, 15 Feb 2020
Review Assembled: The Art of Robert Klippel by Victoria Perin, 8 Feb 2020
Review Colin McCahon: Letters and Numbers by Luke Smythe, 21 Dec 2019
Review 110%: Wet Nurse by David Wlazlo, 14 Dec 2019
Review Luke Sands by Helen O'Toole, 7 Dec 2019
Review Robert Hunter by David Homewood, 30 Nov 2019
Review Kate Wallace, Views to Remember / Travis MacDonald, Clock Face by Giles Fielke, 23 Nov 2019
Review In Costume by Audrey Schmidt, 16 Nov 2019
Review Collection leads: John Scurry—small paintings by Marnie Edmiston, 9 Nov 2019
Review Collecting Comme by Rex Butler, 2 Nov 2019
Review Elizabeth Newman by Francis Plagne, 26 Oct 2019
Review Preparation by Amelia Winata, 19 Oct 2019
Review Never the same river by Victoria Perin, 12 Oct 2019
Review Haroon Mirza: The Construction of an Act by Philip Brophy, 5 Oct 2019
Review Balenciaga: Shaping Fashion by Matthew Linde, 28 Sep 2019
Review Fiona Foley: Who are these strangers and where are they going? by Maddee Clark, 21 Sep 2019
Review Karrabing Film Collective: The Mermaids, or Aiden in Wonderland by Giles Fielke, 14 Sep 2019
Review SERIAL by Aneta Trajkoski, 7 Sep 2019
Review ...(illegible)... by Philip Brophy, 24 Aug 2019
Review Yusi Zang and Andre Franco: Altered Routine & Jacquie Owers-Gayst: {~~~~~~~~~} by Kate Loncar, 17 Aug 2019
Review Terracotta Warriors: Guardians of Immortality & Cai Guo-Qiang: The Transient Landscape by Wen Xiao, 17 Aug 2019
Review Steaphan Paton: Nullius in Verba by Isabel White, 17 Aug 2019
Review Rosslynd Piggott: Gardenia, gardenia and vapour window by Suyeon Park, 17 Aug 2019
Review Going Down Swinging Presents: _Return Flight Mel>HKG by Ari Tampubolon, 17 Aug 2019
Review Relics of Survival by Anador Walsh, 17 Aug 2019
Review Nessun Posto by Max Koetsier, 17 Aug 2019
Review John Young: Silent Transformations by Pascalle Bailey, 17 Aug 2019
Review Emily Floyd: Anti-Totalitarian Vectors by Riley Bennett, 17 Aug 2019
Review Bri Hammond: Nuoto Da Sola (I Swim Alone) by Julia Onufreichuk, 17 Aug 2019
Review Bauhaus Now! by Celine Saoud, 17 Aug 2019
Review Andrée van Schaik: Paintings by Yi Fu, 17 Aug 2019
Review Athena Thebus and Chloe Corkran: Drippy Rock by Camille Orel, 16 Aug 2019
Review On Vulnerability and Doubt by Ella Cattach, 10 Aug 2019
Review George Egerton-Warburton, also known as , by Helen O'Toole, 3 Aug 2019
Review I will never run out of lies nor love by Victoria Perin,Brendan Casey, 27 Jul 2019
Review FEM-aFFINITY by Anna Parlane, 20 Jul 2019
Review Josef Stanislaw Ostoja-Kotkowski: Solid Light by Jane Eckett, 13 Jul 2019
Review Prima Materia by Elyssia Bugg, 6 Jul 2019
Review Angelica Mesiti: ASSEMBLY by Amelia Winata, 29 Jun 2019
Review Hans and Nora Heysen: Two Generations of Australian Art by Rex Butler, 21 Jun 2019
Review Janet Burchill and Jennifer McCamley: Temptation to Co-exist by Francis Plagne, 15 Jun 2019
Review Octopus 19: Ventriloquy by Audrey Schmidt, 8 Jun 2019
Review Serene Velocity in Practice: MC510/CS183 by Anna Parlane, 1 Jun 2019
Review Christian Thompson: Baya Gardiya by Philip Brophy, 25 May 2019
Review Arlo Mountford: Deep Revolt by Sophie Knezic, 25 May 2019
Review Isabel Davies: Recent Geometric Constructions by Victoria Perin, 18 May 2019
Review Taryn Simon: Contraband by Chelsea Hopper, 11 May 2019
Review Tracey Moffatt: Body Remembers by Rex Butler, 4 May 2019
Review Amalia Lindo: Computer Shoulders by Stephen Palmer, 27 Apr 2019
Review Darren Sylvester: Carve a Future, Devour Everything, Become Something by Giles Fielke, 20 Apr 2019
Review Compromise by David Wlazlo, 13 Apr 2019
Review Emma Phillips: Too Much to Dream by Ella Cattach, 6 Apr 2019
Review The Museological Consciousness by Paris Lettau, 30 Mar 2019
Review Memo Review 01. by The Editors, 27 Mar 2019
Review Tudors to Windsors: British Royal Portraits by Giles Fielke, 23 Mar 2019
Review Atlanta Eke, The Tennis Piece by Sophie Knezic, 16 Mar 2019
Review Papermade / John Nixon: Screenprints, Woodblocks & Unique Relief Prints by Victoria Perin, 9 Mar 2019
Review Visions of Paradise: Indian Court Paintings by Francis Plagne, 2 Mar 2019
Review Daniel von Sturmer by Amelia Winata, 23 Feb 2019
Review Carny by Audrey Schmidt, 16 Feb 2019
Review Christian Marclay: The Clock by Rex Butler, 9 Feb 2019
Review Marlene Gilson by Anna Parlane, 2 Feb 2019
Review Thanks for reading in 2018 by Memo Review, 29 Dec 2018
Review Sweeney Reed and Strines Gallery by Victoria Perin, 22 Dec 2018
Review Katie West: warna (ground) by Paris Lettau, 15 Dec 2018
Review Does the art exhibition have a future? by The Editors, 8 Dec 2018
Review Aesthetics, Politics and Histories: The Social Context of Art by Audrey Schmidt, 8 Dec 2018
Review Mira Gojak and Takehito Koganezawa: The Garden of Forking Paths by Rex Butler, 1 Dec 2018
Review Clement Meadmore: The art of mid-century design by Jane Eckett, 24 Nov 2018
Review Spencer Lai: A smile forms into a grimace / Matilda Davis: Too Many Dinner Parties by Francis Plagne, 17 Nov 2018
Review Lili Reynaud-Dewar, TEETH, GUMS, MACHINES, FUTURE, SOCIETY / Alicia Frankovich, Exoplanets by Anna Parlane, 10 Nov 2018
Review Hito Steyerl: Factory of the Sun by Amelia Winata, 3 Nov 2018
Review Biennale of Australian Art by David Wlazlo, 27 Oct 2018
Review Anne Ferran: White Against Red by Giles Fielke, 20 Oct 2018
Review State of the Union by Benison Kilby, 13 Oct 2018
Review Eavesdropping by Sophie Knezic, 13 Oct 2018
Review John Stezaker: Lost World by Tim Alves, 6 Oct 2018
Review Brook Andrew: The Language of Skulls by Paris Lettau, 29 Sep 2018
Review Design for Life: Grant and Mary Featherston by Jane Eckett, 22 Sep 2018
Review Tom Roberts: Shearing the Rams by Rex Butler, 15 Sep 2018
Review Baldessin/Whiteley: Parallel Visions by Victoria Perin, 8 Sep 2018
Review Architecture Makes Us: Cinematic Visions of Sonia Leber and David Chesworth by Hester Lyon, 1 Sep 2018
Review Robert Smithson: Time Crystals by Philip Brophy, 25 Aug 2018
Review Robert Smithson: Time Crystals by Francis Plagne, 25 Aug 2018
Review Nicholas Mangan, Termite Economies by Amelia Winata, 18 Aug 2018
Review Philadelphia Wireman by Giles Fielke, 11 Aug 2018
Review Melbourne Art Fair & Spring 1883 by Victoria Perin,David Wlazlo,Amelia Winata, 3 Aug 2018
Review A Lightness of Spirit is the Measure of Happiness by Anna Parlane, 28 Jul 2018
Zac Segbedzi and Friends (enemies) Early Career Group Show by Giles Fielke, 21 Jul 2018
Meredith Turnbull: Closer by Amelia Winata, 21 Jul 2018
Review Best and Overlooked of 2018 by Giles Fielke,Amelia Winata,Tiarney Miekus, 21 Jul 2018
Ella Sowinska: 80 Ways by Tiarney Miekus, 21 Jul 2018
Review Auto Body Works by Shelley McSpedden, 14 Jul 2018
Colony: Australia 1770–1861 / Frontier Wars by Rex Butler, 7 Jul 2018
Review Andrew Browne: Spill by Paris Lettau, 30 Jun 2018
Review The Sculpture Park by Jane Eckett, 23 Jun 2018
Review Lucina Lane and Nigel Lendon: Teach the Kids to Strike by Giles Fielke, 16 Jun 2018
Review I hope you get this: Raquel Ormella by Tim Alves, 9 Jun 2018
Review Diane Arbus: American Portraits by Chelsea Hopper, 2 Jun 2018
Review The Field Revisited by Rex Butler, 26 May 2018
Review Hard Feelings by Anna Parlane, 19 May 2018
Review Abstraction 17: A Field of Interest, c. 1968 by Francis Plagne, 12 May 2018
Review Kieren Seymour: Blue Blindness by Eva Birch, 5 May 2018
Review Natalie Thomas and the Women's Art Register: Finding the Field by Amelia Winata, 28 Apr 2018
Review Troy Ramaekers: Double B-Sides by David Wlazlo, 21 Apr 2018
Review Vivienne Binns: It is what it is, what it is by Helen Hughes, 14 Apr 2018
Review Soda_Jerk: TERROR NULLIUS by Kate Warren, 7 Apr 2018
Review The Shape of Things to Come by Paris Lettau, 31 Mar 2018
Review Unfinished Business: Perspectives on Art and Feminism by Victoria Perin, 24 Mar 2018
Review Samraing Chea: Universal Drawings by Giles Fielke, 17 Mar 2018
Review Mutlu Çerkez: 1988-2065 by Nicholas Tammens, 10 Mar 2018
Review Genesis Breyer P-Orridge: Loyalty Does Not End With Death by Tiarney Miekus, 3 Mar 2018
Review Kirsten Lyttle: Digital Mana by Anna Parlane, 25 Feb 2018
Review Tony Clark: Chinoiserie Landscape 1987 - 2017 by Francis Plagne, 17 Feb 2018
Review Richard Bell: Dredging up the Past by Rex Butler, 10 Feb 2018
Review Kieran Butler and collaborators: Rainbow Bois and Magical Gurls by Amelia Winata, 3 Feb 2018
Review Thank you for reading in 2017 by The Editors, 1 Jan 2018
Review Triennial by Giles Fielke, 30 Dec 2017
Review Del Kathryn Barton: The Highway is a Disco by Victoria Perin, 23 Dec 2017
Review Angela Brennan: Forms of Life by Julia Lomas, 16 Dec 2017
Review Cover Versions: Mimicry and Resistance by Kate Warren, 10 Dec 2017
Review Our Knowing and Not Knowing: Helen Maudsley by Paris Lettau, 2 Dec 2017
Review Douglas Lance Gibson: What Was Once Yesterday Today & Tomorrow by Francis Plagne, 25 Nov 2017
Review Jenny Watson: The Fabric of Fantasy by Chelsea Hopper, 18 Nov 2017
Review Wayne Eager New Paintings by Ian McLean, 11 Nov 2017
Review Jason Phu: My Parents Met at the Fish Market by Anna Parlane, 4 Nov 2017
Review Gareth Sansom: Transformer by Rex Butler, 27 Oct 2017
Review Joseph Kosuth: A Short History of My Thought by David Wlazlo, 21 Oct 2017
Review Darren Sylvester: Céline by Amelia Winata, 14 Oct 2017
Review Brent Harris: the small sword by Helen Hughes, 7 Oct 2017
Review The Score by Kate Warren, 30 Sep 2017
Review Isadora Vaughan: Recalcitrant Bodies by Paris Lettau, 23 Sep 2017
Review Smallness: Trevelyan Clay & Kate Smith by Francis Plagne, 16 Sep 2017
Review People Soup by Audrey Schmidt, 9 Sep 2017
Review Forever Transformed by Anna Parlane, 2 Sep 2017
Review Sidney Nolan and Elwyn Lynn: A Joint Centenary by Jane Eckett, 26 Aug 2017
Review Future Eaters by David Wlazlo, 19 Aug 2017
Review Fictitious Realities by Beth Kearney, 12 Aug 2017
Review Brave New World: Australia 1930s / Call of the Avant-Garde: Constructivism and Australian Art by Rex Butler, 5 Aug 2017
Review Discovering Dobell / Dobell’s Circle by Victoria Perin, 29 Jul 2017
Review Spencer Lai: Contaminant, Figures by Amelia Winata, 22 Jul 2017
Review Liam Osborne: Hot Copy by Helen Hughes, 15 Jul 2017
Review Dale Frank by Kylie King, 8 Jul 2017
Review Every Brilliant Eye by Francis Plagne, 1 Jul 2017
Review I can see Russia from here by Rex Butler, 24 Jun 2017
Review Andrea Grützner: Tanztee and Erbgericht by Kate Warren, 17 Jun 2017
Review On Campus by Giles Fielke, 10 Jun 2017
Review Restless by David Wlazlo, 3 Jun 2017
Review Sky Country: Our Connection to the Cosmos by Anna Parlane, 27 May 2017
Review Unproductive Thinking by Amelia Winata, 20 May 2017
Review Van Gogh and the Seasons by Anthony White, 13 May 2017
Review Harold Freedman: Artist for the People by Victoria Perin, 6 May 2017
Review Raafat Ishak & Damiano Bertoli: Hebdomeros by Paris Lettau, 29 Apr 2017
Review Bill Henson by Beth Kearney, 22 Apr 2017
Review James Tylor: un-resettling by Helen Hughes, 15 Apr 2017
Review Louise Hearman by Rex Butler, 8 Apr 2017
Review Sally Smart: The Choreography of Cutting by Julia Lomas, 1 Apr 2017
Review Open Spatial Workshop: Converging in Time by Giles Fielke, 25 Mar 2017
Review Daniel Crooks: Parabolic / Miyanaga Akira: REALTIME by Kate Warren, 18 Mar 2017
Review David Hockney: Current by Francis Plagne, 11 Mar 2017
Review Project 17: Radical Immanence by David Wlazlo, 4 Mar 2017
Review Stuart Ringholt: Works on Paper by Anna Parlane, 25 Feb 2017
Review Don't be too Polite: Posters and Activism by Victoria Perin, 18 Feb 2017
Review O’Keeffe, Preston, Cossington-Smith: Making Modernism by Amelia Winata, 11 Feb 2017
Review Sovereignty by Paris Lettau, 4 Feb 2017
Review Ramesh Nithiyendran: In the beginning by Beth Kearney, 28 Jan 2017
Review Lucina Lane: Range by Giles Fielke, 21 Jan 2017
Review The Sculpture of Bronwyn Oliver by Helen Hughes, 14 Jan 2017
Review Suzanne Archer: Moving Forwards, Looking Back: A Survey 1969–2016 by Rex Butler, 7 Jan 2017
Review Statement from Memo Review by The Editors, 31 Dec 2016