Darren Sylvester: Carve A Future, Devour Everything, Become Something
Ian Potter Centre: NGV Australia Giles Fielke
Compromise
Warrnambool Art Gallery David Wlazlo
Emma Phillips: Too Much to Dream
Reading Room Ella Cattach
The Museological Consciousness
Lyon Housemuseum Galleries | Meow Paris Lettau
Memo Review 01.
Perimeter Books | World Food Books | Monash University Museum of Art Memo Review
Tudors to Windsors
Bendigo Art Gallery Giles Fielke
Atlanta Eke: The Tennis Piece
Gertrude Contemporary Sophie Knezic
Papermade | John Nixon: Screenprints, Woodblocks & Unique Relief Prints
Australian Galleries | Negative Press Victoria Perin
Visions of Paradise
National Gallery of Victoria Francis Plagne
Daniel von Sturmer
Anna Schwartz Gallery Amelia Winata
Carny
Neon Parc Audrey Schmidt
Christian Marclay: The Clock
Australian Centre for the Moving Image Rex Butler
Marlene Gilson
Art Gallery of Ballarat Anna Parlane
Thanks for reading in 2018
Memo Review
Sweeney Reed and Strines Gallery
Heide Museum of Modern Art Victoria Perin
Katie West: warna (ground)
Caves Paris Lettau
Decadent (Im)Possibilities
AAANZ Conference 2018 - RMIT University Audrey Schmidt
Does the art exhibition have a future?
AAANZ Conference 2018 - RMIT University Memo Review
Mira Gojak and Takehito Koganezawa: The Garden of Forking Paths
Buxton Contemporary Rex Butler
Clement Meadmore: The art of mid-century design
Ian Potter Museum of Art Jane Eckett
Spencer Lai: A smile forms into a grimace | Matilda Davis: Too Many Dinner Parties
Bus Projects Francis Plagne
TEETH, GUMS, MACHINES, FUTURE, SOCIETY | Exoplanets
Monash University Museum of Art Anna Parlane
Hito Steyerl: Factory of the Sun
National Gallery of Victoria Amelia Winata
Biennale of Australian Art
Art Gallery of Ballarat David Wlazlo
Anne Ferran: White Against Red
Sutton Gallery Giles Fielke
Eavesdropping
Ian Potter Museum of Art Sophie Knezic
State of the Union
Ian Potter Museum of Art Benison Kilby
John Stezaker: Lost World
Centre for Contemporary Photography Tim Alves
Brook Andrew: The Language of Skulls
Ten Cubed Paris Lettau
Design for Life: Grant and Mary Featherston
Heide Museum of Modern Art Jane Eckett
Shearing the Rams
National Gallery of Victoria Rex Butler
Baldessin/Whiteley: Parallel Visions
National Gallery of Victoria Victoria Perin
Architecture Makes Us: Cinematic Visions of Sonia Leber and David Chesworth
Centre for Contemporary Photography Hester Lyon
Robert Smithson: Time Crystals
Monash University Museum of Art Francis Plagne
Robert Smithson: Time Crystals
Monash University Museum of Art Philip Brophy
Tiny Miners: Nicholas Mangan, Termite Economies
Sutton Gallery Amelia Winata
Philadelphia Wireman
World Food Books Giles Fielke
Melbourne Art Fair & Spring 1883
ACCA | Windsor Hotel David Wlazlo
A Lightness of Spirit is the Measure of Happiness
Australian Centre for Contemporary Art Anna Parlane
Best and Overlooked of 2018
Recess | Ian Potter Museum of Art | Gertrude Memo Review
Auto Body Works
Arts Project Australia Shelley McSpedden
Colony: Australia 1770–1861 / Frontier Wars
National Gallery of Victoria Rex Butler
Andrew Browne: Spill
Tolarno Galleries Paris Lettau
The Sculpture Park
Point Leo Estate Jane Eckett
Lucina Lane and Nigel Lendon: Teach the Kids to Strike
Neon Parc Giles Fielke
I hope you get this: Raquel Ormella
Shepparton Art Museum Tim Alves
Diane Arbus: American Portraits
Heide Museum of Modern Art Chelsea Hopper
The Field Revisited
National Gallery of Victoria Rex Butler
Hard Feelings
The Honeymoon Suite Anna Parlane
Abstraction 17: A Field of Interest, c. 1968
Charles Nodrum Gallery Francis Plagne
Kieren Seymour: Blue Blindness
Block Projects Eva Birch
Natalie Thomas and the Women's Art Register: Finding the Field
True Estate Gallery Amelia Winata
Troy Ramaekers: Double B-Sides
Five Walls Projects David Wlazlo
Vivienne Binns: It is what it is, what it is
Sutton Gallery Helen Hughes
Soda_Jerk: TERROR NULLIUS
Australian Centre for the Moving Image Kate Warren
The Shape of Things to Come
Buxton Contemporary Paris Lettau
Unfinished Business: Perspectives on Art and Feminism
Australian Centre for Contemporary Art Victoria Perin
Samraing Chea: Universal Drawings
Reading Room Giles Fielke
Mutlu Çerkez: 1988-2065
Monash University Museum of Art Nicholas Tammens
Genesis Breyer P-Orridge: Loyalty Does Not End With Death
The SUBSTATION Tiarney Miekus
Kirsten Lyttle: Digital Mana
Centre for Contemporary Photography Anna Parlane
Tony Clark: Chinoiserie Landscape 1987 - 2017
Murray White Room Francis Plagne
Richard Bell: Dredging up the Past
Gertrude Contemporary Rex Butler
Kieran Butler and collaborators: Rainbow Bois and Magical Gurls
Blindside Amelia Winata
Thank you for reading in 2017
Triennial
National Gallery of Victoria Giles Fielke
Del Kathryn Barton: The Highway is a Disco
National Gallery of Victoria Victoria Perin
Angela Brennan: Forms of Life
Recess | Ian Potter Museum of Art | Gertrude Julia Lomas
Cover Versions: Mimicry and Resistance
Shepparton Art Museum Kate Warren
Our Knowing and Not Knowing: Helen Maudsley
Ian Potter Centre: NGV Australia Paris Lettau
Douglas Lance Gibson: What Was Once Yesterday Today & Tomorrow
Tolarno Galleries Francis Plagne
Jenny Watson: The Fabric of Fantasy
Heide Museum of Modern Art Chelsea Hopper
Wayne Eager New Paintings
Eastgate Gallery Ian McLean
Jason Phu: My Parents Met at the Fish Market
Westspace Anna Parlane
Gareth Sansom: Transformer
Ian Potter Centre: NGV Australia Rex Butler
Joseph Kosuth: A Short History of My Thought
Anna Schwartz Gallery David Wlazlo
Darren Sylvester: Céline
Bus Projects Amelia Winata
Brent Harris: the small sword
Tolarno Galleries Helen Hughes
The Score
Ian Potter Museum of Art Kate Warren
Isadora Vaughan: Recalcitrant Bodies
The Honeymoon Suite Paris Lettau
Smallness: Trevelyan Clay & Kate Smith
Neon Parc Francis Plagne
People Soup
Suicidal Oil Piglet Audrey Schmidt
Forever Transformed
Gertrude Contemporary Anna Parlane
Sidney Nolan and Elwyn Lynn, A Joint Centenary
Charles Nodrum Gallery Jane Eckett
Future Eaters
Monash University Museum of Art David Wlazlo
Fictitious Realities
Bayside Arts and Cultural Centre Beth Kearney
Brave New World: Australia 1930s | Call of the Avant-Garde: Constructivism and Australian Art
Heide Museum of Modern Art Rex Butler
Discovering Dobell | Dobell’s Circle
Tarrawarra Museum of Art Victoria Perin
Spencer Lai: Contaminant, Figures
Fort Delta Amelia Winata
Liam Osborne: Hot Copy
Punk Café Helen Hughes
Dale Frank
Neon Parc Kylie King
Every Brilliant Eye
National Gallery of Victoria Francis Plagne
I can see Russia from here
TCB art inc. Rex Butler
Andrea Grützner: Tanztee and Erbgericht
Centre for Contemporary Photography Kate Warren
On Campus
Monash University Giles Fielke
Restless
Margaret Lawrence Gallery David Wlazlo
Sky Country: Our Connection to the Cosmos
Blak Dot Gallery Anna Parlane
Unproductive Thinking
Deakin University Art Gallery Amelia Winata
Van Gogh and the Seasons
National Gallery of Victoria Anthony White
Harold Freedman: Artist for the People
Art Gallery of Ballarat Victoria Perin
Raafat Ishak & Damiano Bertoli: Hebdomeros
Sutton Gallery Paris Lettau
Bill Henson
National Gallery of Victoria Beth Kearney
James Tylor: un-resettling
Vivien Anderson Gallery Helen Hughes
Louise Hearman
Tarrawarra Museum of Art Rex Butler
Sally Smart: The Choreography of Cutting
Sarah Scout Presents Julia Lomas
Open Spatial Workshop: Converging in Time
Monash University Museum of Art Giles Fielke
Daniel Crooks: Parabolic | Miyanaga Akira: REALTIME
Anna Schwartz Gallery Kate Warren
David Hockney: Current
National Gallery of Victoria Francis Plagne
Project 17: Radical Immanence
Anna Pappas Gallery David Wlazlo
Stuart Ringholt: Works on Paper
Neon Parc Anna Parlane
Don't be too Polite: Posters and Activism
Ian Potter Museum of Art Victoria Perin
O’Keeffe, Preston, Cossington-Smith: Making Modernism
Heide Museum of Modern Art Amelia Winata
Sovereignty
Australian Centre for Contemporary Art Paris Lettau
Ramesh Nithiyendran: In the beginning
Ian Potter Museum of Art Beth Kearney
Lucina Lane: Range
White Cuberd Giles Fielke
The Sculpture of Bronwyn Oliver
Tarrawarra Museum of Art Helen Hughes
Suzanne Archer: Moving Forwards, Looking Back: A Survey 1969–2016
Nicholas Thompson Gallery Rex Butler
Statement from Memo Review
Memo Review
