Shop between 'off peak', c.1950s, lithograph, printed in colour inks, from multiple stones [or plates], 97.2 x 59.8 cm (printed image), Collection: National Gallery of Australia, Canberra
Harold Freedman: Artist for the People, The Art Gallery of Ballarat, 40
Lydiard St Nth, Ballarat, 1 April – 28 May 2017
The Harold Freedman exhibition, on display at the Art Gallery of
Ballarat until the end of this month, is sub-headed ‘Artist for the
people’. In order to entice people deep into the...
Damiano Bertoli, The Serenity of the Poet, 2017, pencil on paper, 42 x 29.7 cm. Image courtesy the artist.
Raafat Ishak & Damiano Bertoli, Hebdomeros, Sutton Gallery, 21 April – 20 May 2017
There is an irony to Hebdomeros, and that is that the exhibition teaches us more about the Italian 'metaphysical' painter Giorgio de Chirico (1888-1978) than it does about either of its two collaborating Melbourne based artists, Raafat Ishak and Damiano Bertoli.
The modest exhibition, which accomp...
Bill Henson, Untitled 2009/10 2009-2010, inkjet print, 102.4 x 152.0 cm (image) 126.5 x 177.6 cm (printed image border) 127.1 x 184.6, cm (sheet), ed. 2/5, National Gallery of Victoria, Melbourne, Purchased, Victorian Foundation for Living Australian Artists, 2012.
Bill Henson, NGV International, St Kilda Road, Melbourne, 10 March - 27 August
Even now, it is difficult to visit a Bill Henson exhibition without
being burdened by the controversy that occurred at Roslyn Oxley9 just
James Tylor, un-resettling, 2017, installation view. Courtesy the artist and Vivien Anderson Gallery
James Tylor, un-resettling, Vivien Anderson Gallery, 29 March – 29 April 2017
In recent years, Bruce Pascoe's widely read Dark Emu: Black Seeds: Agriculture or Accident? (2014) and Bill Gammage's The Biggest Estate on Earth: How Aborigines Made Australia (2011) have helped cultivate a more general understanding of the history of Aboriginal land management, agricultural practices, and...