Bill Henson, Untitled 2009/10 2009-2010, inkjet print, 102.4 x 152.0 cm (image) 126.5 x 177.6 cm (printed image border) 127.1 x 184.6, cm (sheet), ed. 2/5, National Gallery of Victoria, Melbourne, Purchased, Victorian Foundation for Living Australian Artists, 2012.
Bill Henson, NGV International, St Kilda Road, Melbourne, 10 March - 27 August
Even now, it is difficult to visit a Bill Henson exhibition without
being burdened by the controversy that occurred at Roslyn Oxley9 just
James Tylor, un-resettling, 2017, installation view. Courtesy the artist and Vivien Anderson Gallery
James Tylor, un-resettling, Vivien Anderson Gallery, 29 March – 29 April 2017
In recent years, Bruce Pascoe's widely read Dark Emu: Black Seeds: Agriculture or Accident? (2014) and Bill Gammage's The Biggest Estate on Earth: How Aborigines Made Australia (2011) have helped cultivate a more general understanding of the history of Aboriginal land management, agricultural practices, and...
Louise Hearman, Untitled #727, 1999, oil on Masonite, collection of the artist, image courtesy and © the artist. Photograph: Mark Ashkanasy
Paints like a dream
Louise Hearman, curated by Anna Davis, Tarrawarra Museum of Art, Healesville, 18 February – 14 May 2017
Louise Hearman complains about the way that in every review of her work she is compared to her partner Bill Henson, while in reviews of Henson’s work she is rarely, if ever, mentioned.
Of course, she is absolutely right: the ma...
Sally Smart, The Choreography of Cutting. (The Pedagogical Puppet Projects), 2017. Courtesy the artist and Sarah Scout Presents
Sally Smart, The Choreography of Cutting, Sarah Scout Presents, 11 March – 15 April 2017
Sally Smart's exhibition at Sarah Scout Gallery presents work from the artist's major ongoing project The Choreography of Cutting (2014–), alongside pieces that continue her 2012 series The Pedagogical Puppet. The synthesis of these two research projects combines to form...