Spencer Lai, Contaminant, Figures
Fort Delta, 6 – 29 July 2017
Spencer Lai's work is part of a contemporary exploration of the grotesque that taps into the destabilising qualities of late capitalism and considers its effect upon issues of identity, including gender and sexuality. This current was picked up on by Jonathan Griffin in his 2012 essay Rudely transgressing the boundaries between the elevated and the profane, published in Tate Etc. In it, Griffin notes that w...
Liam Osborne Hot Copy
Punk Café, 8 July – 22 July 2017
by Helen Hughes
Presented by Liam Osborne, the young Melbourne artist and director/curator of the Brunswick East gallery Punk Café, Hot Copy is a meditation on themes of boredom, repetition, monotony, uselessness and impactlessness. These themes are charted both in relation to the artist's day-to-day routines (working to pay rent, to make art, etc.) and in relation to the role of Punk Café as a Melbourne artist-run gallery (one that...
Neon Parc, 15 Tinning St, Brunswick, 30 June–12 August 2017
By Kylie King
Any presentation of Dale Frank's work could easily be passed off as a prime prop for Instagram ops. His paintings—dazzling in size and colour, slick and hyper-reflective—demand attention and entertain. Yet they are also unsettlingly grotesque and possess an overarching posture of cool detachment. Indeed, his current exhibition at Neon Parc is as much confronting as it is alluring.
Dale Frank, It was a b...
Every Brilliant Eye
Ian Potter Centre, National Gallery of Victoria
By Francis Plagne
Walking through Every Brilliant Eye—a large survey of the NGV's holdings of Australian Art from the 1990s curated by Jane Devery and Pip Wallis—I was struck by how much it look like parts of Melbourne Now, the NGV's sprawling 2013-2014 snapshot of contemporary art practices in Melbourne. It is not only that many of the same names reappear, sometimes with work little changed by the twenty years separat...
Russia in Melbourne
I can see Russia from here
TCB art inc., Level 1, 12 Waratah Pl, Melbourne VIC 3000, 7 June – June 24 2017. Curated by Chelsea Hopper
By Rex Butler
I walk along grimy Waratah Place in downtown Melbourne. The walls of the buildings are black from use, a chef from a nearby Chinese restaurant crouches on the pavement playing on his iPhone. I climb a flight of rickety wooden stairs and enter the gallery. Two young volunteers sit huddled together in front of a computer sc...
Andrea Grützner Tanztee and Erbgericht
Centre for Contemporary Photography, 9 June – 23 July 2017
By Kate Warren
Writing in Artforum in 2004, Abigail Solomon-Godeau described the 'miniature guillotine' of the camera's shutter. The camera slices a moment in time from the world, removing it from its original context, but also potentially relaunching it as a new, transformed event. In Andrea Grützner's current exhibition at the Centre for Contemporary Photography, the German artist has foc...
On Campus, curated by
Monash University, 14 – 15 February 2017. Curated Raimundas Malašauskas.
By Giles Fielke
'It is said that the voice rips open reality'. This is apparently the only utterance I had thought worthwhile writing down into the blank, A5-sized notebook I had been supplied with at the beginning of On Campus. I cannot recall who suggested this maxim in the course of the two-day program that took place at Monash University from February 14-15 this y...
Margaret Lawrence Gallery, VCA, 19 May – 10 June 2017
By David Wlazlo
This week marks fifty years since the 1967 referendum and last week at Uluru a meeting of Indigenous leaders met to discuss a united strategy on constitutional recognition. Fifty years is a long time in anyone’s book, and with little material progress toward reconciliation, recognition, and ‘bridging the gap’, there is a widespread consensus that a symbolic mention is not enough to decolonise Australia’s foundin...