Louise Hearman, Untitled #727, 1999, oil on Masonite, collection of the artist, image courtesy and © the artist. Photograph: Mark Ashkanasy
Paints like a dream
Louise Hearman, curated by Anna Davis, Tarrawarra Museum of Art, Healesville, 18 February – 14 May 2017
Louise Hearman complains about the way that in every review of her work she is compared to her partner Bill Henson, while in reviews of Henson’s work she is rarely, if ever, mentioned.
Of course, she is absolutely right: the ma...
Sally Smart, The Choreography of Cutting. (The Pedagogical Puppet Projects), 2017. Courtesy the artist and Sarah Scout Presents
Sally Smart, The Choreography of Cutting, Sarah Scout Presents, 11 March – 15 April 2017
Sally Smart's exhibition at Sarah Scout Gallery presents work from the artist's major ongoing project The Choreography of Cutting (2014–), alongside pieces that continue her 2012 series The Pedagogical Puppet. The synthesis of these two research projects combines to form...
Open Spatial Workshop: Converging in time, installation view: Monash University Museum of Art, Melbourne, 2017. Photo: Andrew Curtis
Open Spatial Workshop, Converging In Time, Monash Museum of Art, 11th Feb – 8th April 2017
Somewhere between geology, geography, colonisation and resource extraction is where Open Spatial Workshop (OSW) attempt to situate their highly conceptual, sculpture-based exhibition entitled Converging In Time. A huge, fossilised Kauri tree log found within a coal...
Daniel Crooks, Parabolic (installation view). Image courtesy the artist and Anna Schwartz Gallery
Daniel Crooks, Parabolic, Anna Schwartz Gallery, 11 February – 1 April 2017.
Miyanaga Akira, REALTIME, National Gallery of Victoria International, 18 November 2016 – 30 April 2017.
The growth of the large metropolitan cities of modernity occurred
largely alongside the invention and proliferation of camera technologies
in the nineteenth century. It is therefore not surprising that many...