Victoria Perin
Baldessin/Whiteley: Parallel Visions

Baldessin/Whiteley: Parallel Visions

National Gallery of Victoria Australia, Federation Square31 August 2018 – 28 January 2019

By Victoria Perin

Together George Baldessin and Imants Tillers represented Australia in the 1975 Bienal de São Paulo. Although Tillers was 25 and Baldessin eleven years older, the artists bonded closely: “George represented the more conservative art world I had just decided to abandon,” notes Tillers in an interview with researcher Nicole Bowller from 2016, “but in...

David Wlazlo
Melbourne Art Fair & Spring 1883

Melbourne Art Fair & Spring 1883

This week Memo Review travels through two art fairs currently open as part of Melbourne Art Week: David Wlazlo and Amelia Winata review the reborn Melbourne Art Fair at Southbank Arts Precinct, and Vicki Perin reviews the third Spring 1883 at The Hotel Windsor on Spring Street.


Melbourne Art Fair

Southbank Arts Precinct, 111 Sturt Street, Southbank, 2–5 August

By David Wlazlo

Maybe it isn’t the best way to approach it, but Melbourne Art Fair (...

Victoria Perin
Unfinished Business: Perspectives on Art and Feminism

Unfinished Business: Perspectives on Art and Feminism

Australian Centre for Contemporary Art, 15 December 2017–25 March 2018

By Victoria Perin

Tomorrow is the last day of Unfinished Business: Perspectives on Art and Feminism at ACCA (Australian Centre for Contemporary Art). Hopefully this is a prompt for you to visit (or revisit), because shows like this are rare. Here we are presented with the knowledge (institutional, personal, ancestral, academic) of six curators, thoughtfully draggin...

Victoria Perin
Del Kathryn Barton: The Highway is a Disco

Del Kathryn Barton, The Highway is a Disco

Ian Potter Centre: National Gallery of Victoria Australia, Federation Square, 17 November 2017 – 12 March 2018

By Victoria Perin

Although Memo Review has already examined an exhibition from the National Gallery of Victoria's quadruple billing of female Australian artists (see Paris Lettau's review of Our knowing and not knowing: Helen Maudsley), I believe that as the arts community has directly requested more representation of contemporary...

Victoria Perin
Discovering Dobell | Dobell’s Circle

Discovering Dobell | Dobell's Circle

TarraWarra Museum of Art, 311 Healesville-Yarra Glen Road, Healesville, 27 May – 13 August 2017

By Victoria Perin

TarraWarra, clearly reaching for the best of both worlds, likes to market itself as 'privately funded, public art museum'. As a charitable not-for-profit company, the museum is sponsored by the Besen Family Foundation, while also receiving project-based public funding. Twinned to a vineyard, it balances out Melbourne's other favourite week...

Victoria Perin
Harold Freedman: Artist for the People

Harold Freedman: Artist for the People

The Art Gallery of Ballarat, 40 Lydiard St Nth, Ballarat, 1 April – 28 May 2017

By Victoria Perin

The Harold Freedman exhibition, on display at the Art Gallery of Ballarat until the end of this month, is sub-headed ‘Artist for the people’. In order to entice people deep into the pokey rear galleries where the show is hung, it would seem that a degree of assuagement is required. Trust me people, promises the curator, this is an artist for you!

C...

Victoria Perin
Don't be too Polite: Posters and Activism

Say it loud. Say it clear

Don't Be Too Polite: Posters and Activism

The Ian Potter Museum of Art, University of Melbourne, 8 November 2016 – 19 March 2017

By Victoria Perin

The title of Don't Be Too Polite: Posters and activism cuts off the gendered call made by the sing-song union ditty: Don't be too polite, girls, don't be too polite / Show a little fight, girls, show a little fight. A sensible (if regrettable) choice, as indeed the un-fair sex is also represented in this exhibitio...