Sophie Knezic
Arlo Mountford: Deep Revolt

Double Issue

This week Memo Review publishes two separate reviews of shows in Melbourne and regional Victoria.

Philip Brophy considers the idea of an ACMI subjectivity in his review of Christian Thompson's VR commission at the Australian Centre of the Moving Image, Melbourne's 'other' national art institution in the wake of the federal election.

Below Sophie Knezic considers Arlo Mountford's current show, Deep Revolt, for its visions of death and museological disaster at the Shepparton A...

Sophie Knezic
Atlanta Eke: The Tennis Piece

Atlanta Eke: The Tennis Piece

Gertrude Contemporary

8 February – 23 March 2019

By Sophie Knezic

'Oh my country! We will no longer have to go searching through the history of ancient peoples for worthy subjects on which to practise our brushwork...No, no people's history offers me anything so great, so sublime as the Tennis Court Oath, which I am to paint.' So opined the 18th century painter and revolutionary Jacques-Louis David, after securing the commission from the Société des Amis de...

Sophie Knezic
Eavesdropping

Double Issue

This week Memo Review publishes two reviews of two major exhibitions currently open at the Ian Potter Museum of Art: State of the Union and Eavesdropping.

Below Sophie Knezic considers the social and political stakes of the question of sound, surveillance and listening in Eavesdropping.

Benison Kilby, whose review is available by clicking here, focuses on the problematics of artistic labour and trade unions in State of the Union...