Giles Fielke
Anne Ferran: White Against Red

Anne Ferran, White Against Red

Sutton Gallery 13 October – 10 November 2018

By Giles Fielke

Six large photographs of the dancer and choreographer Ervi Sirén hang from metal brackets near the ceiling of Sutton gallery. Like banners they are suspended in the bright space of the old C.V. Fashions building in Brunswick Street, Fitzroy. They are all the same size and weighted by heavy dowels sewn into the ends of the canvas bolts onto which the images have been printed. Sirén wraps herself in...

Giles Fielke
Philadelphia Wireman

Philadelphia Wireman

World Food Books, August 3 – September 1, 2018

By Giles Fielke

There is an overwhelming temptation to fill in the constitutive blanks where an artist’s life should be, but here there is no artist, only the artworks remain. The evidence of the so-called Philadelphia Wireman’s life is patchy, effectively non-existent. Enough facts remain, however, to establish a scene. Twelve of the some 1200 small, meticulously bound-in-wire sculptures and drawings found dumped in a lan...

Memo Review
Best and Overlooked of 2018

Best and Overlooked of 2018

Memo Review asked three of our contributors to write on a show they have especially liked but that we haven't had a chance to review. As a special issue we publish these reviews from Tiarney Miekus, Amelia Winata and Giles Fielke.


Ella Sowinska 80 Ways

recess, Friday 30 March – 30 April 2018

By Tiarney Miekus

Considering the amount of things that can be streamed online (i.e., entire lives), it's peculiar how art is a thing that supposedly doesn't h...

Giles Fielke
Lucina Lane and Nigel Lendon: Teach the Kids to Strike

Lucina Lane and Nigel Lendon Teach the Kids to Strike

Neon Parc, 18 May – 16 June

By Gile Fielke

I’ve not noticed the terazzo tiles on the floor of Neon Parc’s city gallery. And I’ve been visiting shows at the Bourke Street space for years now. It took Lucina Lane and Nigel Lendon’s collaborative exhibition Teach the kids to strike for me to look hard at just how extraordinarily worn the floors really are. When I ask gallerist Geoff Newton about this, he unpretentiously admits that the...

Giles Fielke
Samraing Chea: Universal Drawings

Every Truckers Enjoy Having Barbecue to Eat for Picnic

Samraing Chea, Universal Drawings

Reading Room, 3 March—24 March 2018, proposed by Rob McHaffie and Matlok Griffiths

By Giles Fielke

Universal Drawings is an appropriate title for the exhibition of 41 works by the artist Samraing Chea currently on show at Olivia Radonich’s new city central gallery, Reading Room. A thoroughgoing millenial subject — Chea was born in 1995 — the suite of 26 drawings in full colour on display in Room...

Giles Fielke
Triennial

Triennial

NGV International, 17 December 2017 – 15 April 2018

By Giles Fielke

Buried within the question recently explored by Felicity D. Scott, ‘Who is the festival for?’, is the rapidly fading possibility of a public. It is a discourse that seems to slip too easily into arguments about the centrist compromise of regulated-, or neo-liberal, architectures of the state. The elaborate zones of exclusion raised for the National Gallery of Victoria’s inaugural Triennial, which follows its fi...

Giles Fielke
On Campus

Retrospective Hypothesis

On Campus, curated by

Monash University, 14 – 15 February 2017. Curated Raimundas Malašauskas.

By Giles Fielke

'It is said that the voice rips open reality'. This is apparently the only utterance I had thought worthwhile writing down into the blank, A5-sized notebook I had been supplied with at the beginning of On Campus. I cannot recall who suggested this maxim in the course of the two-day program that took place at Monash University from February 14-15 this y...

Giles Fielke
Open Spatial Workshop: Converging in Time

Desperately Seeking Representation

Open Spatial Workshop, Converging In Time

Monash Museum of Art, 11 February – 8 April 2017

By Giles Fielke

Somewhere between geology, geography, colonisation and resource extraction is where Open Spatial Workshop (OSW) attempt to situate their highly conceptual, sculpture-based exhibition entitled Converging In Time. A huge, fossilised Kauri tree log found within a coal seam in the La Trobe Valley lies on a large, rectangular papercrete platform tha...