Troy Ramaekers, Double B-Sides Photo credit: Tim Gresham
Troy Ramaekers, Double B-Sides, Five Walls Projects, April 4-21, suite 3, lvl 1/119 Hopkins St, Footscray.
Troy Ramaekers’ current exhibition at Footscray gallery Five Walls, titled Double-B Sides, features four deceptively simple paintings. The artist has stretched large canvases, taller than wide, and around the edge of each is a bleeding red border. This border contains a trace of the stretcher behind the canvas as well as the...
Joseph Kosuth, 'Neon', 1965. Photography: Zan Wimberley. Courtesy Joseph Kosuth Studio and Anna Schwartz Gallery.
Joseph Kosuth, A Short History of My Thought, Anna Schwartz Gallery, Melbourne, 7 October–25 November 2017
Coupled with the pervasive hum of the neon transformers, Joseph Kosuth's A short history of my thought at Anna Schwartz Gallery is a grab-bag of his past fifty years working with neon. Far from any noir promise historically associated with the technology, the neon works..
Future Eaters, MUMA, 2017.
'Future Eaters', Monash University Museum of Art, 22 July – 23 September 2017
Asking the viewer to consider sculptural responses to our technological present, Future Eaters presents a series of works that are diverse, divergent, and in many ways reductive of the ways technology is involved in our lives. Technology here—like sculpture—is equated with hardware. Of course this is a ‘common sense’ understanding of the technological, but as a premise for a s...
Gordon Bennett, A Black History, 1993 (recreated 2017), photo: D.Wlazlo.
Restless, 19 May – 10 June, Margaret Lawrence Gallery, VCA, 40 Dodds Street
Southbank VIC 3006.
This week marks fifty years since the 1967 referendum and last week at Uluru a meeting of Indigenous leaders met to discuss a united strategy on constitutional recognition. Fifty years is a long time in anyone’s book, and with little material progress toward reconciliation, recognition, and ‘bridging the gap’, there...
Teelah George, Pine, 2017, oil and enamel on linen, 92 x 76 cm
Project 17: Radical Immanence, curated by Chantelle Mitchell, Anna Pappas Gallery, 2-4 Carlton Street, Prahran. 10th February – 18th March.
In Radical Immanence, curator Chantelle Mitchell aims to present artists sincerely engaged with their material. And it is around the idea of the sincere that the exhibition as a whole both coalesces and dissolves. On the one hand, the idea of sincerity asks us to consider the artist as...